A Quote by Julie Harris

Richard Chamberlain on The Slipper and the Rose was lovely to work with. He wore the clothes so beautifully and sang his songs so well. — © Julie Harris
Richard Chamberlain on The Slipper and the Rose was lovely to work with. He wore the clothes so beautifully and sang his songs so well.
I had seen an English movie musical production of 'Cinderella,' 'The Slipper and the Rose' with Richard Chamberlain, and liked it so much I saw it eight or 10 times.
I liked The Slipper and the Rose, as I have already mentioned, because it was such a lovely film to do.
In the middle of a garden grew a rose tree; it was full of roses, and in the loveliest of them all lived an elf. He was so tiny that no human eye could see him. He had a snug little room behind every petal of the rose. He was as well made and as perfect as any human child, and he had wings reaching from his shoulders to his feet. Oh, what a delicious scent there was in his room, and how lovely and transparent the walls were, for they were palest pink, rose petals.
He learned through the way that my father and I felt about his songs, his country songs, that they were great songs. And then he went out and sang them for the audiences that we found, and he found a tremendous reaction to that.
Balenciaga often said that women did not have to be perfect or beautiful to wear his clothes. When they wore his clothes, they became beautiful.
The robin flew from his swinging spray of ivy on to the top of the wall and he opened his beak and sang a loud, lovely trill, merely to show off. Nothing in the world is quite as adorably lovely as a robin when he shows off - and they are nearly always doing it.
I always sang when I was little-bitty girl. I sang all the time. And then I'm from Knoxville, Tennessee, so I sang in a show at Pigeon Forge, Tennessee. You know, they have all those variety shows where Dollywood is. And I sang there and yodeled and clogged, but I never wrote my own songs.
I wanted to play rock and roll when I started playing. Nobody at that time ever thought about songwriting. You sang songs, that's all. You sang other people's songs. That's all there were.
Most guys in high school wore clothes seen only by their classmates. I wore clothes seen by the world.
It was really fun. Well, Bobby was just basically a folk singer. He didn't play with any bands or anything, like all the rest of us. Just played his guitar and sang his songs.
I think Bridge Over Troubled Water was a very good song. Artie sang it beautifully. The Boxer was a really nice record. But I don't think I've written any great songs.
When I went to Japan I sang in Japanese; when I went to Greece I sang in Greek. When I went to Spain, I sang in Spanish. I couldn't speak it very well, but I sang, I was beautiful in singing it. These things just constantly attracted people to the uniqueness of who I was and the way in which I performed.
I sat backstage and had a beer with Richard Chamberlain, Paul Newman, and Princess Grace.
Beautiful songs could sometimes take a person out of themselves and carry them away to a place of magic. But when Jill sang, it was not about the song, really. She could sing the phone book. She could sing a shopping list. Whatever she sang, whatever the words or the tune, it was so beautiful, so achingly lovely, that no one could listen and be untouched.
Cara waggled a hand over the two of them. "It works better with your clothes off." Richard frowned. His voice came as a hoarse croak. "What?" She seemed mystified by the question. "I believe you will find such things work better without clothes." She put her hands to her hips. "I thought you would know at least that much.
XI I sang his name instead of song; Over and over I sang his name: Backward and forward I sang it along, With my sweetest notes, it was still the same! I sang it low, that the slave-girls near Might never guess, from what they could hear, That all the song was a name.
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