A Quote by Julie Andrews

I was fortunate enough to work at the peak of the great golden age of musicals. And then for awhile, I think they were being advanced in different ways. Andrew Lloyd-Webber brought the rock beat to musicals; people tried different things. The joy of musicals is that there is no perfect recipe; it is what you throw into it.
I like musicals a lot. I think probably 'Jesus Christ Superstar' is my favorite. I love Andrew Lloyd Webber for the most part. It's rare that I'll find a musical that I don't like.
I always had an eye toward the stage for the story of Hamilton's life, but I began with the idea of a concept album, the way Andrew Lloyd Webber's 'Evita' and 'Jesus Christ Superstar' were albums before they were musicals.
I was always into classical music and opera because I played the piano as I went through school and was very interested in Andrew Lloyd Webber musicals and stuff like that. That changed into heavy metal at around the age of 14 or 13, and I dropped the piano and started to play the guitar.
There are no large-scale original musicals being made right now. They're all Broadway adaptations and jukebox musicals or catalog musicals, and they just don't interest me as much.
I've been fortunate in my career to have performed in revivals of great musicals and to have originated roles in musicals that have in turn been revived. And I'm not dead!
Corny answer is of course is that everyone who wants musicals are children in different ways, aren't they? So you think of them in different ways. There are things of mine I'm sorry haven't come here.
I'd been brought up on musicals. Instead of cartoons, we watched videocassettes of musicals at home.
I grew up in a time when the only musicals were animated musicals because nobody wanted to see people to break into song.
I never pursued voice hard enough. I've done musicals here and there, but I was never dedicated to really being one of these fantastic, operatic kind of singers that you have to be in some of these musicals.
I did a lot of musicals when I was younger. And then I went to Northwestern University, and I did more musicals. I went on to do more work in Chicago, and then while I was in college, I got flown out to Los Angeles to do a screen test for 'Back to the Future.' When I got to Los Angeles, I was like, 'Hmmm, this is different.'
Lyrics can't do what they do - or should do - when you're creating a musical with rock lyrics. There's plenty of room for rock musicals, just not all rock musicals.
After doing 'Pitch Perfect,' I didn't expect to do other musicals, but then I was offered 'The Last Five Years' and 'Into the Woods,' which are two of the greatest pieces of theater that I can think of. So obviously I wasn't going to be like, 'Oh I'm trying to really stay away from musicals right now, so thanks, but I'll pass.'
I've auditioned for musicals a lot, but I think my voice didn't really match what they were looking for. I went to school for musical theater for a year and dropped out. Legit musicals are not quite my forte.
When I was growing up, there were so many musicals you could watch. I like the fantasy of musicals and I love music.
Everything has to be intrinsic plot-wise in the same way, to use the Linda Williams analogy but to move it on a bit, as musicals - in old musicals, like in an old Cole Porter musical, you get the action, then they do a song, which reflects a moment - everything stops while that is being sung - and then you restart. These days in most musicals, the plot keeps moving through the song. I think it would be nice if someone constructed some pornography where the sex continues to propel you through the story.
I don't think I've got the stuff that Broadway musicals are made of. But there are definitely many musicals that I enjoy. 'Hair' and 'Rent' might be my favorites.
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