A Quote by Julian Assange
Journalists always like an excuse for why are they talking about something now when they didn't talk about something a week ago. They always like to say something is new.
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People are always like, 'Did you purposely do something to make people uncomfortable?' And I say the reason why it's uncomfortable is because it's either something that we can't talk about or aren't supposed to talk about, and they're images that aren't ever seen.
I'm single and loving it. It is always weird talking about that stuff. When someone is talking about who they are going out with, I am always like, who cares? Talk about your music or something.
When I finished my college education my agent said to me …'The key to beauty is to be always educating yourself, always learning something new, always doing something new and to have something to talk about.' And I never forgot that, and I think that's how one ages beautifully.
You can't always trust your emotions. You can't always trust your feelings. And I'm not talking about pain but I'm talking about more about life issues where something happens to you or somebody says something to you or somebody said nothing to you and you're waiting for them to say something to you.
As I learned, like, each year, more and more, I face it as far as there's always something. There's always talk about something. Off the field or if it's on the field, it's age, it's my salary. It's always something, so I learned to kind of use that nowadays, it's like motivation.
Well, this week's peeve might be... when art writers talk about an artist's 'efforts,' meaning their work. It always sounds patronizing to me, like 'I'll give you an E for effort.' How about the artist's 'effortlessnesses' instead? It's certainly something, or at least the appearance of something, that I aspire to myself.
I only try to talk to people about things I really do use in my shot. If I see something similar and something that will help them, then you try to come to them and say, 'I think I might have something for you. Think about it if you like it.' If they do, and they want to keep talking about it, then I will.
When someone asks me to do something, something new, something I don’t know about, and if I haven’t done it, I’ll say yes. Just so I can try something new. You never know what you might like.
On television, journalists now routinely appear on talk-shows-with-an-attitude where they are encouraged to say what they think about something they may not have finished thinking about.
Small groups have always been the locus of change. What they do, in a sometimes offhand way, is constellate new cultural forms and give birth to the unexpected. Sometimes the talk is the thing, sometimes the feeling. When we risk talking about something we really care about it's infectious. Like any good infection, such talk can produce heat, a fever of intellectual excitement.
There is something I like about talking to journalists that really goes beyond promotion because you aren't just talking to the journalist, but you are talking through them to people who presumably are fans of the Rolling Stones. The interviews give you a chance to say a few things and maybe clear up some of the things people read about the band.
I think that you are what you speak a lot of times, and there's power in the tongue. I feel sorry for the people who always have something negative to say. If something happens bad in my day, I don't tweet about it - I pray about it, or talk to my husband about it or my mother about it, and get it off of me and move on.
I'm always looking to make something that didn't exist before, fumbling about in the dark, not just while making a collection. The search for something new is a constant in my everyday life. But constantly searching for something new is like looking for a well in a desert.
You've always got to have something to say, haven't you? For an interview. Something to talk about.
Wherever you are in the world, there's always something about the Australian light. There's something about the sharpness of it, something about the clarity of it, something about the colours of Australia. And hopefully, something optimistic about Australian painting too.
I always tell reporter that you always have to be working. If you are at a party you can have a good time but if you hear something talking about something new or different that's going on you have to be working. In this business to be at the top of your game you really can't unplug.
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