A Quote by Julian Fellowes
When you make your first film, there is a hell of a lot to think about, and you've got to have a gut understanding of your material.
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Your first six months in the Senate, you spend a lot of time wondering how the hell you got here. After that, you look around at your colleagues and wonder how the hell any of them got here.
You've got a song you're singing from your gut, you want that audience to feel it in their gut. And you've got to make them think that you're one of them sitting out there with them too. They've got to be able to relate to what you're doing.
I think a lot of your 20s is trying to figure out who you are - you're on your own; you've got you first job. You've got your first apartment. You're living away from your parents. You're just discovering who you are.
I am much more settled in who I am. I think a lot of your 20s is trying to figure out who you are - you're on your own, you've got you first job, you've got your first apartment, you're living away from your parents, you're just discovering who you are. I have deep, long friendships now and real relationships and I am so excited about the rest of my 40s.
Your writing is still yours, no matter what the contract or your editor might say. Trust your gut. It knows when you're screwing up. Your brain will lie to you. It loves the paycheck, it loves positive feedback. Your gut is under no obligation to make you feel good.
I think I've done a lot in this business, whether through screwball methods or not I don't know, that has helped other bands. I made a kind of road for them, you might say. If I raised my price, they found out about it and raised theirs. But somebody had to start it, to make the first move. You have to have the courage and confidence in your own ability. You have to know what the hell and who the hell you are in this business. Music may change, but I don't think that ever will.
There's so much noise that's happening in our world, but the little voice that you've always got to listen to is your gut and your intuition, and you can do things and go beyond boundaries, if you to trust that gut and instinct.
Your first film is always your best film, in a way. There's something about your first film that you never ever get back to, but you should always try. It's that slight sense of not knowing what you're doing, because the technical skills you learn - especially if you have a film that works, that has some kind of success - are beguiling. The temptation is to use them again, and they're not necessarily good storytelling techniques.
First, there has been a lot of interest in The Drive-in, but, alas, it hasn't actually come to fruition. Maybe soon. Don really got Bubba and I didn't think it could be a film. I thought it was too odd to make it to film. He asked me to do the screenplay, but I declined. I didn't see that it could be a screenplay but he wrote one and proved me wrong. He was always considerate about what I thought about the film and the story's presentation, but in the end, he's the director and he had to make decisions. All good ones.
It's pretty gratifying to spend so long to make your first film and then feel like it got a lot of love - that was an incredible feeling. But there's something very distorting about that much attention. It felt like such a double-edged sword.
I think that a lot of teenagers think they got it all down-pat. Especially when they first move out and they're on their own for the first time. Oh this is easy, this is breezy. Then all of a sudden it hits you in your mid-twenties that maybe you don't know how to do your taxes still. There's all kinds of things and you start calling your parents up again.
As I talk to film students now especially, I say, "The easiest job you'll ever get is to try to make your first film." That's the easy one to get, is the first film because nobody knows whether you can make a film or not.
For whatever you're doing, for your creative juices, your geography's got a hell of a lot to do with it. You really have to be in a good place, and then you have to be either on your way there or on your way from there.
My father always said, 'Do your best and piss on the rest.' And I think there's a lot of truth to that, because if you've done your best, there's not a hell of a lot more you can do about something.
You don't make a film because the audience is ready for it. You make a film because you have questions that are in your gut.
I know a lot of people who jumped into a record label right away, dropped an album, and then nothing happened for them. Build your fan base first, and follow your gut.
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