A Quote by Julian Fellowes

The '20s are a very interesting period to me. — © Julian Fellowes
The '20s are a very interesting period to me.
I love that period, between the '20s and the '60s. I love doing period pieces, and those eras are my favorite period in time, music wise, and the elegance and the way of being.
I think the zenith of popular songwriting to the United States of America was that period that started in the '20s and went into the '50s. It was the period of the great American standard song.
I like to shoot beautiful things. My two previous movies were one in the '60s, the other one in the '50s, and this one is in the '20s. This is a period that's very cinegenic. The cars, the props, the suits, the haircuts, the dresses, everything, and it gives you pleasure to compose frames with that material. The music, I really love jazz, so for me, when you have good materials and nice things, it's very pleasant.
You have to be very productive in order to become excellent. You have to go through a poor period and a mediocre period, and then you move into your excellent period. It may be very well be that some of you have done quite a bit of writing already. You maybe ready to move into your good period and your excellent period. But you shouldn't be surprised if it becomes a very long process.
J. Edgar Hoover very famously denied the existence of organized crime up until the Appalachian Meeting, I think, in 1957. It was interesting to me that he clearly had to know that there was such a thing as organized crime and organized criminals as far back as the '20s.
I was very driven, very focused, very ambitious. I mean, when I look back on myself in my 20s, part of me just cringes.
I maintain that the period during the first half of the 1990s, the period in which rising inequality reached its peak, was a period in which we came very, very close to a demagogic immobilization of racism in this society.
Analytical philosophy was very interesting. It always struck me as being very interesting and full of tremendous intellectual curiosities. It is wonderful to see the mind at work in such an intense manner, but, for me, it was still too far removed from my own issues.
In the early '20s, with the war over, there was a period of celebration, and you can see it in the fashion.
Of course I went to medical school strongly influenced by my father, I mean the family reason, and secondly I read the biography of Hideyo Noguchi who was the very interesting doctor, who went to the United States in his 20s and become professor in the Rockefeller Institute.
The '60s is such an explosive period. It was very interesting for me because I grew up in Canada, and obviously, I know some American history because I've lived here for many years, and even in Canada, that does permeate.
I find more interesting roles for women in period pieces. I do personally like watching period films; I think you can really get lost in the fantasy of them.
Here was a period where I was particularly attacked, and in untrue ways, some people online said some things that were not true about me - but it was very hurtful. And there was like, a period of time that it was very panicky, I was very upset. And my son at the time was, I guess seven, eight months old, and I would wake up early with him and let my wife sleep.
Ellis Peters's historical detail is very accurate and very minute, and therefore is not only interesting to read but good for an actor to acquire a sense of the period. And the other thing I think is that an actor lives in the land of imagination.
I find the Romantic period extraordinarily interesting. My landscapes have connections with Romanticism: at times I feel a real desire for, an attraction to, this period, and some of my pictures are a homage to Caspar David Friedrich.
I get very selfish at times. I write about things that are interesting to me. Which are often very different. All of these stories, the thing they have in common is that they were somehow interesting. I feel like they're all dispatches from a worldview.
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