A Quote by Julianna Margulies

It's one thing in this business to actually work. 5 percent of the Screen Actors' Guild works. It's another thing to do work that's satisfying and that people are loving.
The Screen Actors Guild numbers are frightening: Something like 90 percent of the roles are for men, 5 percent are for livestock and 5 percent are for women.
It's one thing to work, but it's another thing to work on a show where people stop you all the time to say nice things.
I tell people that it's one thing to have the gift and the talent and work hard but another thing to have the favor of God in making it all work, and I think all those are factors.
The Screen Directors Guild was organized solely by and for the motion picture director... We are not anti-anything: The Guild being formed for the purpose of assisting and improving the director's work in the form of a collective body, rather than as an individual, as was necessary in the past.
You want to be in a movie where your part works. That's the main thing. No matter how you beat yourself working on the thing, if it doesn't work, it doesn't work.
Well, acting is cheap; I knew all these actors who weren't in the Screen Actors Guild yet, and it happened that they were all just about thirty years old.
When you look at the whole explosion of the Internet, the decline of print journalism, there are all of these plus-or-minus ramifications, and you have to work it out. The great thing about books is that you have a tactile thing that's there. You can download this or download that, but how long do you want to be staring at a screen for the rest of your life? You've got to have some kind of proper interface for people that's not about the screen.
Who works for glory misses oft the goal; Who works for money coins his very soul Work for the work's sake, then, and it may be, That this thing shall be added unto thee.
For me, the most satisfying time to work with people, and time when it really works, is when you work with directors that are into the truth of any sort of situation.
I went to an acting class for 3 years. But then I figured out that, since there were already 26,000 actors in SAG (Screen Actors Guild), I could make a better living as a stunt man.
At least 90 percent of my work is in situ. For me, it's not only to work with the architecture and space, it's also to work with the time, to work with the people who are involved with the place. It's also dealing with history. It takes all this into account. Other works can be placed in different environments, but they always follow a rule. This is usually not the case for work in situ, because even if they are transported, they remain there forever or they are destroyed.
That's the great thing about how 'SVU' works. They work with so many Broadway actors, they are very used to getting us out in time for the show.
I think there is something like 90% unemployment in the Screen Actors Guild, so we are the exception.
You can't stop being a citizen just because you have a Screen Actors' Guild card.
People should realize that I shot a Coke commercial back in 1986. So, you know, I've been around a long time. I carry my Screen Actors Guild Card.
If you read a part that you want to play, and you already know you have actors you want to work with but it's not on the page, it's not going to be on the screen. So that is the most difficult thing to do for a producer, is to get a script that attracts this kind of talent.
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