A Quote by Juliet Stevenson

There's still a massive inequality between the genders. If you look at the trajectory of a male actor's career, there's no hesitation or hiatus. But women after the age of 35 to 40 are rarely placed in the centre of the story.
I think, unfortunately, we've always lived in a world of massive inequality: inequality between the haves and the have-nots, inequality between men and women that not only exists temporally but geographically as well.
Women are most fascinating between the ages of 35 and 40 after they have won a few races and know how to pace themselves. Since few women ever pass 40, maximum fascination can continue indefinitely.
For any female actor, the age between 35 to 45 is treacherous. Filmmakers tell me, I am at that awkward age. No parts are written for women in this age bracket, while men at that age flourish and have great careers.
I look at Woody Allen's prolific career of 30 or 40 films, and I'm watching the clock. I'd love to work at a clip of a film a year. We don't get the benefit of the doubt, particularly black women. We're presumed incompetent, whereas a white male is assumed competent until proven otherwise. They just think the guy in the ball hat and the T-shirt over the thermal has got it, whether he's got it or not. For buzzy first films by a white male, the trajectory is a 90-degree angle. For us, it's a 30-degree angle.
A female's career as an actor is very different from a male's career as an actor. That's just the way it is. So, I'm fascinated by really strong male careers that have inspired me, and also really incredible male roles.
If you start a new career at 40, you've still got another 35 years to go.
One is rarely an impulsive innovator after the age of sixty, but one can still be a very fine orderly and inventive thinker. One rarely procreates children at that age, but one is all the more skilled at educating those who have already been procreated, and education is procreation of another kind.
The contentious issue of pay parity between male and female actors is easily resolvable if a number of big actresses decide to put their foot down. But we have to also consider the factors of time and labour. If a female actor has shot only for 40 days and the male actor for 200 days, she cannot expect to be paid the same amount.
Women right now kind of have this idea of success - putting your career first and then having kids. On one side, it's perfect and it's a great plan, but on the other side, they don't explain to you that after age 35, you start losing eggs.
The bonding of women that is woman-loving, or Gyn/affection, is very different from male bonding. Male bonding has been the glue of male dominance. It has been based upon recognition of the difference men see between themselves and women, and is a form of the behaviour, masculinity, that creates and maintains male power… Male comradeship/bonding depends upon energy drained from women.
The fundamental steps of expansion that will open a person, over time, to the full flowering of his or her individuality are the same for both genders. But men and women are rarely in the same place struggling with the same questions at the same age.
Within the new self-help books for women, patriarachy and male domination are rarely identified as forces that lead to the oppression, exploitation, and domination of women. Instead, these books suggest that individual relationships between men and women can be changed solely by women making the right choices.
The basic Buddhist stand on the question of equality between the genders is age-old. At the highest tantric levels, at the highest esoteric level, you must respect women: every woman.
Acting, like wine, gets better as time goes on. Singing gets better after a certain age. The dancer peaks at 35 or 40.
Nothing is a matter of age. It's really in the person because you can publish book after book after book and still want that golden apple. And maybe it's the reality principle that has hit me. I believe that a career is very different from writing. My career is a certain kind of career.
I didn't cry much after I was 35, but staggered stony-faced into middle age, a handkerchief still in my bag just in case.
This site uses cookies to ensure you get the best experience. More info...
Got it!