A Quote by Juliet Stevenson
In our own, theatre can be the place where we come together, reaching with and through stories, to who we are and to who we can be.
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Our efforts must be bent in the direction of convincing the great mass of working people of this country of the necessity of our winning and retaining our place in business and commerce. That place can be won only through the workers' own efforts and through their own efficiency.
'Knockemstiff' is a collection of short stories set in the holler of the same name in southern Ohio where I grew up. I tried to link the stories together through the place and some recurring characters.
Knockemstiff is a collection of short stories set in the holler of the same name in southern Ohio where I grew up. I tried to link the stories together through the place and some recurring characters.
Hip-hop has crossed many boundaries and racial barriers, broken them down for people to come together, to listen to the music or come out of their own social ills in each of the countries that it has went to. Thanks to my traveling, and keeping up from place to place, and pushing our ideology - peace, love, unity, and having fun - it has worked.
I tell stories through dance, and I think that's why I'm so attracted to the theatre because even the choreography in theatre moves the plot forward at all times.
Yes, our enlightenment process is coming, but now it's about accepting our own imperfection as a human being, and through that we come back to a place of self-love and understand the journey more - that we have come here just to have a series of experiences to learn from and that we need not do it all perfectly.
AS SOMBRAS DA ALMA. THE SHADOWS OF THE SOUL. The stories others tell about you and the stories you tell about yourself: which come closer to the truth? Is it so clear that they are your own? Is one an authority on oneself? But that isn't the question that concerns me. The real question is: In such stories, is there really a difference between true and false? In stories about the outside, surely. But when we set out to understand someone on the inside? Is that a trip that ever comes to an end? Is the soul a place of facts? Or are the alleged facts only the deceptive shadows of our stories?
When women get together, they tell stories. This is how it has always been. Telling stories is our way of saying who we are, where we have come from, what we know, and where we might be headed.
I want to create a place where trans people and our allies could come together to share experiences, information and ideas. Being transgender or loving someone who is transgender can be challenging in our society and I hope that members of this site will also use this space as a place to support and encourage each other. Together, we can strengthen our community and open the hearts and minds of others.
It's quite rare for a group of people to come together for a live event that isn't loud music. A live event that enables thinking to take place, to take place collectively. It's unique to theatre. It's a quality I never want to see diminished.
We've stayed true to our vision of creating a safe and civil place where people come together to create, learn, and have fun, and it's amazing to see what we've built together with our global creator community.
. . .only the victims and survivors can truly comprehend the awfulness of that time and place; the rest of us live on the other side of the fence, staring through from our own comfortable place, trying in our own clumsy ways to make sense of it all.
Since 2011, I am happy to say that I have reconciled with Ahmed Hirsi; we have married in our faith tradition and are raising our family together. Like all families, we have had our ups and downs, but we are proud to have come through it together.
What is important to my work is the individual picture. I photograph stories on assignment, and of course they have to be put together coherently. But what matters most is that each picture stands on its own, with its own place and feeling.
I've said it before - and I'll say it again: it always seems to me that we come to know our same-sex parents through the bodily and the involuntary; through a kind of fossicking of our own physical strata. As we come to resemble our fathers, so we re-encounter the individual who reared us.
What do you know about yourself? What are your stories? The ones you tell yourself, and the ones told by others. All of us begin somewhere. Though I suppose the truth is that we begin more than once; we begin many times. Over and over, we start our own tales, compose our own stories, whether our lives are short or long. Until at last all our beginnings come down to just one end, and the tale of who we are is done.
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