A Quote by Juelz Santana
I want to give the people a lot more, and be able to perform more than just my one single and all my old songs.
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I've learned that people latch onto labels and stereotypes. There was a period when I was asked in every single interview how I liked being the new Frank Sinatra... I think people will soon realize that I do a lot more than interpret old songs.
It’s harder to talk about, but what I really, really, really want for Christmas is just this: I want to be 5 years old again for an hour. I want to laugh a lot and cry a lot. I want to be picked or rocked to sleep in someone’s arms, and carried up to be just one more time. I know what I really want for Christmas: I want my childhood back. People who think good thoughts give good gifts.
Avarice, greed, concupiscence and so forth are all based on the mathematical truism that the more you get, the more you have. The remark of that it is more blessed to give than to receive is based on the human truth that the more you give away in love, the more you are. It is not just for the sake of other people that tells us to give rather than get, but for our own sakes too.
More than anything, I wanted to make sure that everybody was a pusher of difference. And they had to be able to do it in a communicative way, not esoterically. Because there are a lot of people who push things forward but sometimes only you and two people out of 500 in the room get it, but you want somebody who has mastered their craft so well that an 8-year-old gets it just like an 80-year-old gets it. They get the same visceral feeling.
I love nothing more than to perform my songs in front of a live audience. And whatever I'm doing is driven toward finding or writing songs and putting out hit songs that drive people coming to see me live. Because, at the end of the day, that's what I enjoy the most.
There is a lot of healing going on. Really! More people are vegetarians, more are in the green movement, more of us are tearing down the old paradigms and embracing same-sex marriage, single motherhood, men raising babies.
I usually sing a lot on my mixtapes. I sing a lot on songs that just really aren't singles. Even my first single, 'My Last,' which I feel like is more pop than anything - I was originally singing the chorus on there. I'm used to that. I've always had fresh melodies.
Six months is the most you can ask of any fan in this day and age, with the Internet and all these new artists. I understand that my music is in a lot of mediums. Some people want me to make an R&B album. Some people want me to never sing again. I just don't want people to be able to draw comparisons between my old songs and my new ones.
All lovers swear more performance than they are able, and yet reserve an ability that they never perform; vowing more than the perfection of ten, and discharging less than the tenth part of one.
Do a little more than you're paid to. Give a little more than you have to. Try a little harder than you want to. Aim a little higher than you think possible, and give a lot of thanks to God for health, family, and friends.
We give the podium to a lot of people who shouldn't have the podium. The message that's delivered the loudest and in the most entertaining way is the one that we're going to put on because that's what we want. We want ratings more than we want to deliver information. That's just where the culture's gotten.
The longer I've been writing scripts, the more I find that you have to give the artist more leeway or else you'll just be disappointed. You can't force them to draw every image that's in your head. Since I'm a horrific artist, I wouldn't want them to anyway. So I definitely give them a lot more leeway now than I did at the beginning.
I think I felt very alone for a lot of my life, but once I was able to share my story more and more, and people wouldn't say, 'Hey, I felt sorry for you,' but, 'I get it, and I understand you,' it kind of encouraged me to tell it more. I just don't want people to feel alone.
If you're up on a stage, naked and solo and singing songs to people, there's not much place to hide, so you may as well confess what you want to confess and say what you want to say, whatever that is. Some songs just turn out as being more about me, and some are more through the eyes of other people, or third-person descriptions of people.
When I was living in Mexico, I started reassessing my drawing style, and plunged into a period of doing exercises and research to develop a new way to draw. The result was a style that implies more than it shows, and so, ironically, feels more "true" to the scene I want to draw than a style that is more specific. It seems to me that the reader's imagination is able to fill in the gaps more effectively than I ever could. Plus it's a lot faster and more fun to do.
I was classically trained. But more than just the fact that I play violin, there's a lot of classical elements in the way I write, in the way I hear chords. A lot of times, I think of my songs as a symphony made out of electronics rather than instruments. And I love to do orchestral arrangements of my songs after they're done.
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