A Quote by Junichiro Koizumi
To me, the appeal of opera lies in the fact that a myriad of singers and instruments, each possessed of different qualities of voice and sound, against the backdrop of a grand stage and beautiful costumes, come together in one complete and impressive drama.
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Opera is music AND drama. I'm prepared to sacrifice the beautiful note for the meaningful sound any time... I can make a pretty tone as well as anyone, but there are times when the drama of a scene demands the opposite of a pretty sound.
The very beautiful and very touching thing about opera singers is they are very willing to do whatever you want. Unlike actors, who constantly want to know why they're doing something, opera singers will sort of follow you into the fires of hell.
Initially, when I was making the bagpipes and reed instruments, it was different from the other instruments. In terms of sound itself, it may not be different, but in performing with it, it was a necessity to build it if I was going to perform and make scores with it. By making the instruments, it helped me compose the way I want.
Each of us carries around those growing up places, the institutions, a sort of backdrop, a stage set. So often we act out the present against the backdrop of the past, within a frame of perception that is so familiar, so safe that is is terrifying to risk changing it even when we know our perceptions are distorted, limited, constricted by that old view.
The guitar is my favorite and the one, I guess, I'm best at. But I play enough of the different instruments to be able to write with them and to, hopefully, to make myself look impressive on stage.
We did a student-initiated project of 'A Little Night Music', which was the first time that all of the divisions - music, dance, drama, opera - came together and put on a piece. It was a black box kind of feel. We had to get costumes that were pieced together. We had our own lighting that we finagled.
We are God’s gift to each other. Like a master composer, He brings all the instruments together, each with a different tone, each playing a different part, and He makes it turn out so beautifully.
I originally wanted to be an opera singer. I studied classical voice at the University of Washington but soon realised I didn't have the instrument or the discipline. The road for opera singers is more difficult than for actors.
When I was a kid, during those days, you couldn't use instruments. It was against the pastor's religion, so all the singers would make these instruments with their voices. It was just unbelievable. I couldn't explain it.
Every modulated sound is not a song, and every voice that executes a beautiful air does not sing. Singing should enchant. But to produce this effect there must be a quality of soul and voice which is by no means common even with great singers.
I studied with Stella Adler and I didn't like the representational aspect of most opera singers. Most of the opera singers had not a false, but over theatrical way of presenting.
The traits I picked from my conversation with Captain Gopinath was his honesty. He was completely possessed at each stage by what he was doing. When he was in the army, he was possessed there. He was possessed when he started Udupi hotel or while doing agriculture. He is a perfectionist and he is very impatient.
The Donald Trump phenomenon in the U.S. is mirrored completely by the Brexit phenomenon in the U.K. It's very similar forces. And what is interesting to me is there are two different groups that come together, who don't really agree with each other, but have come together in unity against, if you like, what is perceived as the status quo, or - and certainly what is a more center-right or center-left type of politics.
And something like 'Unforgotten' is impressive with the myriad threads of people's lives so brilliantly woven together.
Angie [Harmon] is a beautiful and stunning woman, and we both have really good qualities that complement each other. We both look very different and we have different energies, but it really works. We're lucky. When we do scenes together, I do feel like there's a certain magic that you can't always say happens.
You listen to Charlie Parker or John Coltrane before they found their voice, they sounded different. And when you listen to them after they found their voice on their instruments, they sound more confident and in control. Artists have that, too.
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