A Quote by Diablo Cody
I actually have two children now, and sometimes I wonder if that's it. Because they do make writing and directing more complicated and more difficult, especially now that they're very young.
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The more children see of violence, the more numb they are to the deadly consequences of violence. Now, video games like 'Mortal Kombat,' 'Killer Instinct,' and 'Doom,' the very game played obsessively by the two young men who ended so many lives in Littleton, make our children more active participants in simulated violence.
Directing a movie precludes me from being involved in any greater way. But, the job was never to do more, it was always to enable. Sometimes as a producer, you're creating and writing it, or sometimes you're writing and directing it, or other times you're there from the very beginning.
I feel that the thing about film and particularly about TV, actually, is it's being created now. We're living in the best time so far because there are many more women writing and women directing, women producing, and people are finally catching on to the fact that women want to go and buy tickets to see female characters and more than one in a film. So I actually think it's a very fertile time to be a woman over 40.
I did a good bit of episodic television directing, but directing a movie is so much more complicated. And there's so much more responsibility because the medium is very much a director's medium. Television is much more of a producer's writer's medium so a lot of the time when you're directing a television show they have a color palette on set or a visual style and dynamic that's already been predetermined and you just kind of have to follow the rules.
I think directing and writing are very different jobs. Obviously, directing is a more social and managerial job. The other thing about directing is that it's a very, very pragmatic job, and writing isn't.
Make up your mind that nothing is more important than how I feel now, because now is everything. Now is the whole enchilada. Now is the power of me. Now, now, now, now, now... You might as well start somewhere, and it might as well be now. Why not start improving your life now, now, now?
My process has changed in recent years because I now have two young kids. I have to be more regimented. The days are very short.
The idea is to make the script out of a political analysis and then to convey that - sometimes in poetry, sometimes science, sometimes all it takes is a film. The film itself is less and less spectacular because I think very strongly now the more spectacular you are, the more you are absorbed by the things you are trying to destroy.
Today children are disposed of because there is no food or because they are killed before being born – children are discarded. The elderly are disposed of, well, because they are useless, they do not produce, neither children nor the elderly produce; then, with more or less sophisticated systems they are slowly abandoned and now, as in this crisis it is necessary to recover some equilibrium, we are witnessing a third very painful discarding –the discarding of young people. Millions of young people… are discarded from work, are unemployed.
It's true that the young who now flock to script writing, or producing and directing, to fulfill the demands of these new devices would, in an earlier period, have been submitting to magazines and working on their first novels. But even in the midst of all these "digital products," the wonder of it is that there are still so many young writers who continue to believe in the venerable print novel as the corridor to fame and fortune.
When I was younger, I was like, 'I'm working now, and you go work.' That was all I knew, because I was trying to keep my head above water. Now I'm more willing to say, 'Let's do our work side by side and cooperate.' That's really difficult to do in this sport sometimes because it can be so individualized.
It's very, very difficult to reinvent yourself when you're 40 or 50, whether you are a taxi driver who now needs to become a web designer, or anything else. It just becomes more difficult and more scary.
The truth is, when I started to make films, I was terrified. I had a huge difference in what I was writing in the screenplay and what was on the screen after. Sometimes there was a big gap. Now, the more I have experienced, the more I do movies, the more I feel that the dream is closer to the screen. It's coming with experience.
I know it's good when I see a smaller film get recognized because it means more publicity for them. Any way to get the word out, I'm just learning about this. The end of this distribution sentence is the scariest part, which is when you start producing and directing. Now the movies are a little more like your children. You now spent years of your life and then it just dumps in one day and you think what happened? It doesn't always happen.
When I was young, I really wanted to be a part of the end-of-year awards shows, but now that I'm actually there, it feels weird. I used to go to church and ended the year with a prayer, but now I spend it with people I'm not very familiar with at an award show, and I wonder if it's something I should be doing.
I definitely prefer directing, hands down. I'm a lazy writer and it wasn't until I got into directing that I now have a real impetus when I'm sitting at my computer. Now that I know what it's like to get to bring characters and their stories to fruition, I'm addicted. I'm a junkie. I want more.
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