A Quote by Diablo Cody

I think it's great when writers get recognition; it doesn't happen very often. I just don't want that writer to be me. Let it be Aaron Sorkin or, you know, somebody good. — © Diablo Cody
I think it's great when writers get recognition; it doesn't happen very often. I just don't want that writer to be me. Let it be Aaron Sorkin or, you know, somebody good.
I don't think I ever got the hang of the writers' room. I love collaborating with people, but I really do my best work alone, and I think I would want to - if I did something again, I think I'd want to take total ownership the way Aaron Sorkin or David Kelley does.
In a weird way, I never wanted - I don't consider myself a very good writer. I consider myself okay; I don't consider myself great. There's Woody Allen and Aaron Sorkin. There's Quentin Tarantino. I'm not ever gonna be on that level. But I do consider myself a good filmmaker.
It feels as though a very disproportionate number of main characters are writers, because that's what the writer knows. Fair enough. But nothing bothers me more in a movie than an actor playing a writer, and you just know he's not a writer. Writers recognize other writers. Ethan Hawke is too hot to be a writer.
Aaron Sorkin has been incredibly good to me; I don't know that I would have an acting career without him. Thanks to him, people think I'm smart and nice, but I'm neither.
I remember running into Aaron's Sorkin office and going "The show's West Wing going to work! I know it's going to work!" And it was literally that moment: the energy, the place, the feel. I didn't know the show would be successful but I thought it was going to be good and I don't have that feeling very often. And we were rehearsing all of that not knowing who the President of the United States was!
Aaron Sorkin wrote me one of the best female roles on television, I think. He's a wonderful writer for all people. If he chooses to write, hopefully he'll write something that involves more women next time, because I would love to do it.
I had been used to improvising and even in the audition I was feeling free to rearrange Aaron Sorkin words a little bit, as lovely as they were. I didn't find out until after I got the part how furious Aaron was at me for doing that. They said, "He was livid. He did everything in his power not to jump down your throat!" But I came to realise that Aaron was writing in metre and the rhythm of the language is very important.
Simply, if you're working with good material, then it's right there, and you don't have to try so hard as an actor; you don't have to do so much. Just let the material sit inside you and let it come out. Just say the words. That was the main thing that I learned from doing Aaron Sorkin's work - say the words, and everything else will happen.
I feel like I've had a number of roles in suits, which is hilarious to the people who know me, because it couldn't be further from who I am and what I wear. I think that Aaron Sorkin is, to a certain extent, responsible.
If you don't get offended by somebody scoring on you then I don't know what to tell you. That is like somebody breaking into your house and just taking your video game out of your hand and you just let it happen. I know if you do that to me, it ain't going to happen. I love my Xbox.
I don't think Aaron Sorkin can write a character who isn't really funny.
I think that very often younger writers don't appreciate how much hard work is involved in writing. The part of writing that's magic is the thinnest rind on the world of creation. Most of a writer's life is just work. It happens to be a kind of work that the writer finds fulfilling in the same way that a watchmaker can happily spend countless hours fiddling over the tiny cogs and bits of wire. ... I think the people who end up being writers are people who don't get bored doing that kind of tight focus in small areas.
The writers are very good about misdirection and changeups, and that's what's great about it. We always think we know what's going to happen and then they throw a curveball that you don't see coming.
When you get a chance to work with Aaron Sorkin, you don't say no. You drop everything you're doing.
I know a lot of crime writers feel very underrated, like they're not taken seriously, and they want to be just thought of as writers rather than ghettoised as crime writers, but I love being thought of firmly as a crime writer.
Aaron Sorkin is why people hate liberals. He's a smug, condescending know-it-all who isn't as smart as he thinks he is.
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