A Quote by Diablo Cody
The fact is, when I wrote 'Juno' - and I think this is part of its charm and appeal - I didn't know how to write a movie. And I also had no idea it was going to get made!
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I remember when I first started, the first movie I wrote that didn't get made I was aghast. 'Wait a minute, that's not how this is supposed to work. You write a move and it gets made!'
After he made up his mind to spend the rest of the war in the hospital, Yossarian wrote letters to everyone he knew saying that he was in the hospital but never mentioning why. One day he had a better idea. To everyone he knew he wrote that he was going on a very dangerous mission. "They asked for volunteers. It's very dangerous, but someone has to do it. I'll write you the instant I get back." And he had not written anyone since.
If you've written it you know exactly; whoever you're playing if you've written it you already know it. As a matter of fact, you've already made the movie if you wrote it. You've made it in your head.
I think the idea of fact-checking, I think the idea that you come up through a system where you know how to cover night cops, and then you go on, and you go on to various beats, including writing obituaries, and you get names right, you know how to spell them, really has some advantages to it.
I have made peace with the fact that Mahadev is going to be with me forever. The character had a universal appeal.
I didn't think anything I wrote was going to get published. I'm a dyslexic kid who had tutors through college. But I had a very strong impulse to write.
I love the movies, and when I go to see a movie that's been made from one of my books, I know that it isn't going to be exactly like my novel because a lot of other people have interpreted it. But I also know it has an idea that I'll like because that idea occurred to me, and I spent a year, or a year and a half of my life working on it.
How do I let the director know how obsessed I am and willing to do anything for the movie? Like, I wanted to write this one director a letter, so I wrote him a handwritten note. But then I was like, 'How many people are writing this guy handwritten letters? Is it going to seem cheesy? What do I do?'
I was lucky to have made it to 23 before my world fell apart, but when it did, I had no idea how to survive. It was a rough year. I cried - a lot. I complained - a lot. I also wrote - a lot.
When a movie is being made out of a book, there is a mixed reaction on the part of fans because they are both extremely excited and they are also terrified. 'They are going to take my story, and they are going to mess it up; they are going to ruin it; they're going to do this; they're going to do that.'
I think they went with the idea that people know the story pretty much- knowing that he's going to take her when she's going to go with him. Also, the movie is really focused on Achilles and Hector and their battles.
I had no idea I was part of what was going to be a big mega-hit. I thought I was doing a B sci-fi movie [Independence Day]. And, actually, it was Jeff Goldblum who looked at me one day and said, "You know, I think this is going to be really something." And I said, "Well, I hope you're right." And sure enough, it turned out to be.
During my career as a standup and actor, I realized it was very frustrating for me to get hired because Hollywood was hiring a different kind of brother, you know, and I was doing political humor... In order for me to really have a long career, I'm going to have to learn how to write and produce for myself... I had no idea I was really going to like it and I'm very fortunate to be successful. But the idea was to always eventually create something for myself. That was the idea from the beginning when I went into writing and producing.
That movie was my girlfriend. That was my girl." I knew there was going to be initial anger. As a matter of fact, when I was deciding to do Footloose that was one of the first things that I had to realize. First of all, I had to figure out a human connection to it but then I also had to reconcile that I was going to get beat up a little bit on this a little bit.
I wrote [Collateral Beauty] on my own. I didn't get paid to write it. I didn't sell it as a pitch. It was an idea I had that I really, really felt needed to be in script form before showing it to anyone in the industry because of the uniqueness of the idea, and the weirdness of the idea, to be frank.
I'm self-critical but also, I'm not a very modest person. I'm self-critical in the lead-up to showing anyone anything. You know how people say they write, like, 30 songs and then they'll pick the ones they're going to put on the record? I don't ever get to that point because I self-edit so harshly at the beginning. I would never let anyone hear something that I wasn't happy with. But then once I've made it, I'm also not going to turn around and go, "Oh, yeah, I don't know..." If I'm putting it out, anything creative that I do, I think that it's good, otherwise I wouldn't put it out.
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