A Quote by Diane Wakoski

Sometimes the archaism of the language when it's spoken is why we are all in love with the Irish today. — © Diane Wakoski
Sometimes the archaism of the language when it's spoken is why we are all in love with the Irish today.
I always gravitate towards anything from Ireland. With Irish lit, I love the use of language, but also in many instances, the Irish writers are writing about people and circumstances that I can relate to.
James Joyce's English was based on the rhythm of the Irish language. He wrote things that shocked English language speakers but he was thinking in Gaelic. I've sung songs that if they were in English, would have been banned too. The psyche of the Irish language is completely different to the English-speaking world.
Although the Irish language is connected with the many recollections that twine around the hearts of Irishmen, yet the superior utility of the English tongue, as the medium of all modern communication, is so great that I can witness without a sigh the gradual decline of the Irish language.
The earliest language was body language and, since this language is the language of questions, if we limit the questions, and if we only pay attention to or place values on spoken or written language, then we are ruling out a large area of human language.
Spoken language clearly differentiates Homo sapiens from all other creatures. None but humankind produces a complex spoken language, a medium for communication and a medium for introspective reflection.
Our language was even taken from us. The Irish Gaelic language was outlawed and the religion was outlawed. Hence the religion later being stronger; stronger to a negative point of view. But our venge was, I mean if you listen to Irish language, it's very complicated but it's very poetic.
In animation, what's wonderful is that when you start to work with multiple nationalities, the common language becomes a visual language rather than a spoken language, which blends beautifully with the art form.
'Ulysses' is the greatest anti-racist text in the English language, and it challenges right from the beginning the vicious racism which lies near the foundations of the Irish Free State and of the Irish republic.
Ulysses is the greatest anti-racist text in the English language, and it challenges right from the beginning the vicious racism which lies near the foundations of the Irish Free State and of the Irish republic.
For a woman, language spoken is an expression of what she is feeling. For a man, language spoken is an expression of what he is thinking. A woman says what is on her heart while a man says what is on his mind.
I love communicating with people, and sometimes language is not enough. I think that's what poetry is, where you can mess with language and get through to things that can't be described or communicated through regular language or scientific processes.
The English and Americans dislike only some Irish--the same Irish that the Irish themselves detest, Irish writers--the ones that think.
I am adding another language to the spoken language, and I am trying to restore to the language of speech its old magic, its essential spellbinding power, for its mysterious possibilities have been forgotten.
If the Irish programme did not insist on the Irish language I suppose I could call myself a nationalist. As it is, I am content torecognize myself an exile: and, prophetically, a repudiated one.
But the kind of love that God created and demonstrated is a costly one because it involves sacrifice and presence. It's a love that operates more like a sign language than being spoken outright.
Is there no room for art in the spoken language? What is the use of creating an unnatural language to the exclusion of the natural one?
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