A Quote by Diana Vreeland
All creations demand greenery of spirt.
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I have a lot of love for nature, trees, animals and greenery, and I feel that if I did not exist, there'd be no greenery on the face of the earth.
Only through apprehending, by means of present-day creations, how art is created, can the creations of other periods be genuinely appreciated.
All creations are one with the universe. Look at the world around you. Can you effectively separate yourself from everything else? After seriously pondering this, most of us rapidly conclude that we cannot. To even make the statement that I exist as a unique entity requires comparison with something else. (If you exist as a distinct being, your distinctiveness is in comparison to other creations. No other creations, no individual you.)
The spirt of 1916 is as relevant and inspiring today as it was a century ago.
In my own creations, the earliest influence came from the ancient civilisations of Egypt, China, Africa and Persia. In fact, one of my earlier creations was a range of tunics, made from silk procured from the islands of Madagascar.
After all, poets shouldn't be their own interpreters and shouldn't carefully dissect their poems into everyday prose; that would mean the end of being poets. Poets send their creations into the world, it is up to the reader, the aesthetician, and the critic to determine what they wanted to say with their creations.
Sometimes we don’t realize how destructive our creations are until it’s too late. And sometimes those creations we make turn on us and seek only to kill us even though we loved and succored them. (Apollo)
A demand for commodities is not a demand for labor. The demand for labor is determined by the amount of capital directly devoted to the remuneration of labor: the demand for commodities simply determines in what direction labor shall be employed.
A very poor man may be said in some sense to have a demand for a coach and six; he might like to have it; but his demand is not an effectual demand, as the commodity can never be brought to market in order to satisfy it.
In a way, a garden is the most useless of creations, the most slippery of creations: it is not like a painting or a piece of sculpture-it won't accrue value as time goes on. Time is its enemy' time passing is merely the countdown for the parting between garden and gardener.
I do believe that oil production globally has peaked at 85 million barrels. And I've been very vocal about it. And what happens? The demand continues to rise. The only way you can possibly kill demand is with price. So the price of oil, gasoline, has to go up to kill the demand. Otherwise, keep the price down, the demand rises.
Whatever the practical origins of aesthetic discernment may have been, it has been used to create great works of art. When the very loftiest human creations are seen to derive from humble origins and functions, what needs revision is not our esteem for these creations but our notion of nobility.
As a disciple of my father's, I was certain I wanted to include one of his own raga creations on 'Home', as they are so beautiful; whilst many of his creations are part of the general classical repertoire for all musicians, many more are only played by those of us who learned from him, and therefore need to be played.
As a writer, I demand the right to write any character in the world that I want to write. I demand the right to be them, I demand the right to think them and I demand the right to tell the truth as I see they are.
And that all seas are made calme and still with oile; and therefore the Divers under the water doe spirt and sprinkle it abroad with their mouthes because it dulceth and allaieth the unpleasant nature thereof, and carrieth a light with it.
The job of the linguist, like that of the biologist or the botanist, is not to tell us how nature should behave, or what its creations should look like, but to describe those creations in all their messy glory and try to figure out what they can teach us about life, the world, and, especially in the case of linguistics, the workings of the human mind.
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