A Quote by Diedrich Bader

Working on a sitcom and improv improves your comedic chops. If you do it long enough, the one thing you learn to do is listen to the other characters. — © Diedrich Bader
Working on a sitcom and improv improves your comedic chops. If you do it long enough, the one thing you learn to do is listen to the other characters.
When we used to do improv, you'd have to learn how to listen and contribute and not talk over each other and learn timing, and you fall into roles where that permeates in your regular life as well.
We started off in improv and sketch comedy, and with improv the most important thing is to listen and make sure you're not stepping over someone, so we've been trained for such a long time doing that.
You spend most of your life working and trying to hone your craft, working on your chops, working on your writing, and you don't really think about accolades. Then you get a bit older and they start coming your way. It's a nice pat on the back.
I'm convinced to do improv. All you have to do is listen to what people are saying to you, and then just add more information to what they've just said. That's all there is to improv, but it's the hardest thing to do.
Practice your improv more than learn your lines. 'Cause there's no way you'll be able to learn all those lines in a short time. You have to realize what you know and what you don't know - and what you don't know, just come up with three alternate lines or improv that you can put in that spot.
The characters are not allowed to change if you write a sitcom; they're not allowed to learn anything. There's all these sorts of rules, and you go, 'I just want to be able to write one character and then leave that behind.' Also, as a performer, and I may regret saying this, but it would be my own personal hell to be trapped in the sitcom.
If acting with other people is in your plans, then you need to learn how to work with other people to build a comedic premise.
My chops were not as fast... [but] I just learned more on what was in my mind than what was in my chops. I learned a long time ago that one note can go a long way if it's the right one, and it will probably whip the guy with twenty notes
I think in the inception and creation of the characters, improv was the most important part for me, because I wanted to feel at home in those characters. I wanted to feel like I could commit to them. And so much of improv is saying yes and committing, so I think that's where the improv came in. Even if I'm saying yes to the X across the room from me, or the tennis ball on a stick, I have to stay alive.
And if you look around, if you listen to some music nowdays, I'm not so optimistic...I have the feeling that some of the young people I've met they think already, before they start playing, they think already about the product: how can we sell it....maybe my view is really very old fashioned nowadays, but I think art at any times needs time for development and this fast food bullshit is not working... younger guys: take your time, music is really a thing of long terms, actually it's a lifelong thing to learn and to develop your own stuff.
I'm old enough to have friends and contemporaries who have long since retired, and that's their prerogative - enough is enough; it doesn't mean a thing to me. But I haven't got any money, so, you know, I just keep on working.
When I was a kid, I used to think pork chops and karate chops were the same thing.
Exercising first thing in the morning ensures that you'll have the time for it, and it improves your self-control and energy levels all day long.
Improv is so different, it's such a collaborative thing, you're working with other people, nothing is planned and it's kind of this community mentality, whereas stand-up, you're alone and it was really hard.
We do long-form-style improv. Our focus was characters and telling a long arc story over about an hour and a half. It was closer to a one-act play than one-off sketches.
I have the comedic chops and intelligence to raise points and discuss both sides of whatever is on our mind as a society.
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