A Quote by Diego Luna
As an actor, you are always someone else's tool. You can have a connection with them, and you can share their point of view, but ultimately, you are helping them reflect.
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People are always pleased to indulge their religiosity when it allows them to stand in judgment of someone else, licenses them to feel superior to someone else, tells them they are more righteous than someone else. They are less enthusiastic when religiosity demands that they be compassionate to someone else. That they show charity, service and mercy to everyone else.
But what really is immorality? And what does helping someone really mean? Helping them to be like everyone else, or helping them to be themselves?
When you really listen to another person from their point of view, and reflect back to them that understanding, it's like giving them emotional oxygen.
In theory we understand people, but in practice we can't put up with them, I thought, deal with them for the most part reluctantly and always treat them from our point of view. We should observe and treat people not from our point of view but from all angles, I thought, associate with them in such a way that we can say we associate with them so to speak in a completely unbiased way, which however isn't possible, since we actually are always biased against everybody.
Vision is about more than just getting things done, accomplishing some task, achieving something; it is about discovering and expanding our view of others, affirming them, believing in them, and helping them discover and realize the potential within them-helping them find their own voice.
Being an actor, you know what it feels like to be directed, so when the chance comes for you to direct someone else, you know how to approach an actor without scaring them off, without making them clam up, without making them feel insecure, without getting them in their head.
Don’t ever underestimate the power of mentoring someone, or helping some young actor, doing a favor for them, or introducing - everyone needs somebody to help them along when they’re first starting out.
I always see nice images like that but I don't know what to do with them. I guess you share them with someone. Or you write them down in a poem. I had so many of those little images, but I never shared them or wrote any of them down.
As an actor, you have to believe in the point of view of a director; as a director, you have to be able to express what your point of view is and invite everybody to join you on that journey. So it's always about opening up.
People have more dimensions to them than we give them credit for. The person you meet on the street that you think is someone, and it's someone else. I'm mistaken for someone else all the time.
I was always empathetic with animals. It's a terrible and self-involved point of view that we do something because someone else is exploitable.
I have nine years of scholastic actor training, and what I've learned is that training does not an actor make. You have to have an artful way of looking at things. You have to have a certain point of view. And you get that point of view through experience.
I want to help young coaches have an experience like I've had. But mostly, I want to take the prized possession of every parent by taking their children and helping them grow and helping mentor them and helping them teach me.
Whether I'm writing the script, or someone else writes the initial draft, I'm always an actor's director first. I always try to listen to them a lot and try to put their voices into their character.
Whether I'm writing the script, or someone else writes the initial draft, I'm always an actor's director first. I always try to listen to them a lot, and try to put their voices into their character.
Communication starts with the understanding that there is my point of view (my truth) and someone else's point of view (his truth). Rarely is there one absolute truth, so people who believe that they speak the truth are very silencing of others.
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