A Quote by Dick Van Dyke

Put me on solid ground and I'll start tapping! At my age they say to keep moving. — © Dick Van Dyke
Put me on solid ground and I'll start tapping! At my age they say to keep moving.
And I start to say, no. Start to ask him to please just take it off and put it away. Start to explain how it holds far too many memories for me. But then I remember what Damen said once about memories - that they're haunting things. And because I refuse to be haunted by mine - I just take a deep breath and smile when I say, "You know, I think it looks really good on you. You should defiantly keep it.
keep moving. It's hard for old age to hit a moving target.
This whole concept of boots on the ground, we've got a phobia about boots on the ground. If our military experts say, we need boots on the ground, we should put boots on the ground and recognize that there will be boots on the ground and they'll be over here, and they'll be their boots if we don't get out of there now.
On dispersive ground, therefore, fight not. On facile ground, halt not. On contentious ground, attack not. On open ground, do not try to block the enemy's way. On the ground of intersecting highways, join hands with your allies. On serious ground, gather in plunder. In difficult ground, keep steadily on the march. On hemmed-in ground, resort to stratagem. On desperate ground, fight.
I think any start has to be a false start because really there’s no way to start. You just have to force yourself to sit down and turn off the quality censor. And you have to keep the censor off, or you start second-guessing every other sentence. Sometimes the suspicion of a possible false start comes through, and you have to suppress it to keep writing. But it gets more persistent. And the moment you know it’s really a false start is when you start … it’s hard to put into words.
All this business of a labour to accomplish, before I can end, of words to say, a truth to recover, in order to say it, before I can end, of an imposed task, once known, long neglected, finally forgotten, to perform, before I can be done with speaking, done with listening, I invented it all, in the hope it would console me, help me to go on, allow me to think of myself as somewhere on a road, moving, between a beginning and an end, gaining ground, losing ground, getting lost, but somehow in the long run making headway.
I have a really good at-home support system with my wife and the baby and even the dogs in that they all just keep me occupied, they keep me busy, they keep me moving, to keep my mind from drifting.
Richard Nixon got kicked out of Washington for tapping one hotel suite. Today we're tapping every American citizen in the country, and no one has been put on trial for it or even investigated. We don't even have an inquiry into it.
When you turn 60, the key is to not stop moving. Once you start to stop moving, you rust. You got to just keep going.
Most kids start playing hockey at the age of five, I was an earlier bloomer. My parents laced up my first pair of skates and put me on the ice at the young age of 2 ½, basically right after I mastered walking.
I wouldn't even say I'm really good at dancing, I'd just say I'm not shy to movement. At a young age, people would laugh at me moving. None of it looked like it should have been called a dance move. But it was just me being goofy.
I don't move until an actor is happy, but it was very important to me as a so-called "first time director" to keep the machine moving. It was especially important to me to keep it moving and not be some kind of precious writer-director.
The love of writing comes at a very early age. For me, for instance, comic books so affected me. And a lot of people who come up to me and start talking about writing, when I start talking to them about the "Fantastic Four," they look at me aghast. They say, "'The Fantastic Four?' That's not literature." I say, "Yeah, but it was when I was 11 years old." This was literature.
The first thing you learn is sacrifice and how to keep moving forward in life, helping your parents to put food on the table. You learn to fight with your work. Then you start to learn values. That's why, every time I pull on the Argentina shirt or any other, I think about the things that happened to me when I was a kid.
I'm not formal and I'm impatient. So I think my team would say that when she starts tapping her pen and the leg starts moving quickly, that it's time to move on. I'm not good at long, drawn-out kinds of sessions.
When someone asks about a career in fashion, I say start at the bottom. If you want to start a business, you have to know it from the ground up.
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