A Quote by Dylan Sprouse
When you are born into a body that takes the image of another, you ask yourself a question much like the famous 'chicken and egg' conundrum. Do you take the form of he, or does he take the form of you?
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The reason that fish form schools, birds form flocks, and bees form swarms is that they are smarter together than they would be apart. They don't take a vote; they don't take a poll: they form a system. They are all interactive and make a decision together in real time.
I think we need a politics that allows us to risk what is intelligible. To be maybe slightly unintelligible, too be slightly "illisible". To take the risk of suggesting that the human form might take another form.
I think musicals are a lowbrow, populist art form. And I don't mean lowbrow in a condescending way at all - they are designed to create delight, wonder, joy, surprise. And what becomes really interesting is when innovative or challenging or smart people take it and use the easy runway that the form allows to take people to another planet, or another place. Or subvert it in some way.
Any form of measuring yourself by the unkind action of another towards you is like looking into a badly fractured mirror... and then blaming yourself for the shattered image you see therein.
Through death you find yourself, because you no longer identify with form. You realize you are not the form with which you had identified neither the physical nor the psychological form of "me". That form goes. It dissolves and who you are beyond form emerges through the opening where that form was. One could almost say that every form of life obscures God.
Anti-intellectualism ... has been present in some form and degree in most societies; in one it takes the form of the administering of hemlock, in another of town-and-gown riots, in another of censorship and regimentation, in still another of Congressional investigations.
Language disguises the thought; so that from the external form of the clothes one cannot infer the form of the thought they clothe, because the external form of the clothes is constructed with quite another object than to let the form of the body be recognized.
The body is not the only target of rape. Violence does not always take a visible form, and not all wounds gush blood.
Most people are shaped to the form of their culture because of the enormous malleability of their original endowment. They are plastic to the moulding force of the society into which they are born. It does not matter whether, with the Northwest Coast, it requires delusions of self-reference, or with our own civilization the amassing of possessions. In any case the great mass of individuals take quite readily the form that is presented to them.
To be born, to live and to die is merely to change forms... And what does one form matter any more than another?... Each form has its own sort of happiness and unhappiness. From the elephant down to the flea... from the flea down to the sensitive and living molecule which is the origin of all, there is not a speck in the whole of nature that does not feel pain or pleasure.
People need to take as much interest in other sports as they take in cricket, and that's where we come across a vicious cycle of performance, sponsorship, recognition, jobs and TV visibility. It's a typical chicken-and-egg story; each one is directly related to the other without an answer for what comes first.
No form remains permanently in a substance; a constant change takes place, one form is taken off and another is put on.
The establishment of a law, moreover, does not take place when the first thought of it takes form, or even when its significance is recognised, but only when it has been confirmed by the results of the experiment.
Leaving the complications of the human breakfast-table out of account, in an elemental sense, the egg only exists to produce the chicken. But the chicken does not exist only in order to produce another egg. He may also exist to amuse himself, to praise God, and even to suggest ideas to a French dramatist. Being a conscious life, he is, or may be, valuable in himself.
It takes time to understand yourself, to go inside yourself and to question yourself and really take yourself to task. That's self-expression.
Plays are literature: the word, the idea. Film is much more like the form in which we dream - in action and images (Television is furniture). I think a great play can only be a play. It fits the stage better than it fits the screen. Some stories insist on being film, can't be contained on stage. In the end, all writing serves to answer the same question: Why are we alive? And the form the question takes - play, film, novel - is dictated, I suppose, by whether its story is driven by character or place.
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