A Quote by Dylan Thomas
I do not remember-that is the point-the first impulse that pumped and shoved most of the earlier poems along, and they are still too near me, with their vehement beat-pounding black and green rhythms like those of a very young policeman exploding, for me to see the written evidence of it.
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My brother is in me. When we remember somebody else, in a certain way they are still alive. I see my brother - he is still young - looking to the Dolomites where we did our ascents. I remember those moments, so he is still together with me.
Gimme the tune. Do I like this tune? Does it sound like another tune that I like? The more familiar it is, the better I like it. Hear those three notes there? Those are the three notes I can sing along with. I like those notes very, very much. Give me a beat. Not a fancy one. Give me a GOOD BEAT -- something I can dance to. It has to go boom-bap, boom-boom-BAP. If it doesn't, I will hate it very, very much. Also, I want it right away -- and then, write me some more songs like that -- over and over and over again, because I'm really into music.
I've been trying to write for as long as I can remember. But those first fifteen years didn't produce much of great interest. I mean, it embarrasses me very much to look back on my early poems--very few lines of any merit at all and lots of affectation. But there were quite a lot of them. That's a point in one's favor.
I don't remember my first trip, but I do remember when my mom took me to Disney World in Orlando. It wasn't the rides but Epcot Center that most fascinated me. It made me want to see those countries that are represented there for real.
You're afraid of making mistakes. Don't be. Mistakes can be profited by. Man, when I was young I shoved my ignorance in people's faces. They beat me with sticks. By the time I was forty my blunt instrument had been honed to a fine cutting point for me. If you hide your ignorance, no one will hit you and you'll never learn.
And talking about dark! You think dark is just one color, but it ain't. There're five or six kinds of black. Some silky, some woolly. Some just empty. Some like fingers. And it don't stay still, it moves and changes from one kind of black to another. Saying something is pitch black is like saying something is green. What kind of green? Green like my bottles? Green like a grasshopper? Green like a cucumber, lettuce, or green like the sky is just before it breaks loose to storm? Well, night black is the same way. May as well be a rainbow.
I don't remember the first poem that I wrote because I've been creating poems since I was around 2 or 3. I don't have any memory of that but my mom has written evidence of it. I've always liked playing with words so when I was younger it had a lot more to do with rhyme and sounds.
That first world title has to be the most wonderful moment and to beat Bristow, the No 1 in the world, was the ultimate. There's not many matches I remember, but I do remember that one, remember playing really, really well. Bristow was so upset he wouldn't talk to me for a few weeks after I beat him.
The theater itself is so archaic and old fashioned, that it doesn't really matter to me whether it's on Avenue D or at the Helen Hayes Theater. What's the difference? It's still a very nostalgic form. Also, it means you're knowingly walking into a room where there's actors. I feel it's very embarrassing. Because, you know, they're right there. You always think like, they can see you, and I think it's mortifying, frankly, and I hate to sit near the front, where you feel they actually might see you. It's too ... it's too live.
I don't like pre-written raps; I think it makes the song better if you listen to the beat first. In a sense, you have to make a marriage with the beat. I ride the beat, hear the flow of the drums, get the melody of my flow, and then from that point, it's a process of what I want to say.
When I see a young girl, I can see why you would be attracted if you were a man. I remember when it was like that for me, too, and it was nice.
At 90, I'm still working a couple of dates a month. My mind is very sharp on the stage, so why not? This may sound corny, but I do it because people - young and old - still come to see me, and they're very enthusiastic about my work. They treat me like the Godfather.
Most scripts are written to be green lit. They're not written to be acted. And a lot of writers with the greatest intention in the world don't write for actors. They don't understand the architecture of what an actor needs to get from point A to point B.
Like so many aspiring writers who still have boxes of things they've written in their parents' houses, I filled notebooks with half-finished poems and stories and first paragraphs of novels that never got written.
I still have my first 'Black Lightning' that I got way back in the day, and my first 'Steel.' And I proudly display those comics, by the way. I have a lot of comics, but those are among the ones that mean the most to me.
I'm working on this reality show, with me and my son. It's gonna be like, about young fatherhood where, well, not too young, but in the same token as being my first child and he's so young and me still being relevant in hip-hop. You know, having to balance my career being a father at the same time.
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