A Quote by Dierks Bentley
George Strait is the king and Kenny Chesney is about as big as it gets right now, though I wouldnt mind going back out on the road with him. Maybe I could go out on the road with some singers from other genres.
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I went to L.A. to be Brad Pitt; now I just want to be Gene Hackman. I came to Nashville to be Kenny Chesney. I'd be very fortunate to be George Strait.
Some artists will tell you that's all they want to do is write their own music, and that's great, but George Strait, Kenny Chesney, Tim McGraw, Garth Brooks, they didn't write everything they recorded, and they've had major, major careers. I think it's all about the best song.
I literally wouldn't have dreamed of it in a million years that I'm going to be standing there with George (Strait) and Garth and Kenny (Chesney) and Reba (McEntire) and Brooks & Dunn. I don't really have any clue what I'm actually doing with those people because I feel like I'm still just getting started and I've seen them all in concert and they're all my heroes.
Even at the end of the road, read the first sentence, there is a road. Even at the end of the road, a new road stretches out, endless and open, a road that may lead anywhere. To him who will find it, there is always a road.
I love traveling. But I haven't had big, transformative experiences while on the road. When I go out on the road, it's to go out and get a story or do a promotional event.
I'm in road-coma at the moment. But it's OK. I think you subliminally become a junkie of being on the road. As much as you think you're burnt out, the minute you get off you go stir crazy and you just wanna go right back.
I took the other road, all right, but only because it was the easy road for me, the way I wanted to go. If I've encountered some unnecessary resistance that's because most of the traffic is going the other way.
If you attach your mind to any ideology, you're going to be on a road, and that road may or may not lead you in a good direction. But you're gonna stay on that road because you are attached to an ideology. It could be a terrible road, but you stick with it regardless of rational thinking.
Well, it is so difficult right now when you look out on the road and how fast people go and the more and more cars you see out there, for teenagers, you'd think a kid that literally, a few years before, was sitting back in a car seat in the back seat is now behind the wheel.
What are we going to do about the injuries to our country still going on right in front of our eyes? It gets me out of bed in the morning. It makes me mad enough to get my blood up and want to get out there with [Mark] Twain and get it said and that is why I still hit the road and go out on the stage and keep working at staying alive.
I have two sons now. And just being on the road all the time - I was on the road for about five years straight, and at some point, something clicks inside your head and you think, "Man, I've got to figure out what's going on inside myself," as far as my personal faith.
A lot of times in a record company environment, it's, 'All right, go out on the road, go get some experience, come back in six months, and we'll see where we are.' I've erased that. Now it's, 'This is what we're working on today. I expect you to come in tomorrow and address this and be better.'
When I'm doing music and I'm on the road, I love it. But once I'm home, it's very difficult to go back out on the road.
The beauty of Broadway is that if I'm 60 or 70 years old, if they'll accept me back, I can go back. So I think for right now I'm going to focus on the music--it's the new baby--and see how it's going to work out, and then maybe in a few years maybe I'll go back.
The Internet, you know, 10 or 15 years ago sort of felt like the wild West. You could go out there and do anything and search for things, and, you know, find out about stuff. Now always in the back of my mind, you know, whether it's email or whatever else, it's like, well, is this going to show up somewhere? Is someone going to keep track of this and, you know, know I was searching for - maybe it's an embarrassing disease, maybe it's a weird hobby?
When I was a teenager, my biggest lessons came from Kenny Chesney, Tim McGraw, George Strait, Rascal Flatts and Brad Paisley. I learned so much from opening up for those artists, and it also taught me how to treat your opening acts and make them feel like they're part of a family, not just a tour.
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