A Quote by Dolores O'Riordan
You know that band that are all over 'Melody Maker,' Huggy Bear, they're just a load of crap, right? Riot grrrl group - y'know, it's all sexism and stuff, women standing up for their rights: 'This girl said this at the gig off the stage.' It's nothing got to do with music. They're probably untalented gits when it comes to the crunch.
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If there is a load you have to bear that you can't carry, I'm right up the road. I'll share your load if you just call me.
I loved all that riot-grrl scene and Nation of Ulysses and Bikini Kill and Huggy Bear. I loved it. It was the moment sort of first growing up where bands had stopped looking like roadies.
When people get up on the stage and say, "I've got AIDS," or "I'm in recovery," gosh, it's hard for them. It's like that story touches every person's story. You know, they open their entire humanity up. Storytelling is very important in life. Telling the truth is critical. It's like, again, the melody. The melody of jazz music is the truth, for me.
When you're in a band and you're a girl, you know, guys just don't ... it's not the same kind of a groove as a girl walking up wearing a mac with nothing on underneath, or knocking on someone's door at three in the morning.
At The Verve's first-ever gig, I said that we were gonna blow this local band off the stage. It was only in the local Wigan paper, and they rang me to ask why I was being so aggressive. I just went, 'Hey man, it's like boxing. I'm just trying to sell a ticket.'
Measure her rights and duties by the unerring standard of moral being… and then the truth will be self-evident, that whatever it is morally right for a man to do, it is morally right for a woman to do. I recognize no rights but human rights – I know nothing of men’s rights and women’s rights; for in Christ Jesus, there is neither male nor female. It is my solemn conviction, that, until this principle of equality is recognised and embodied in practice, the Church can do nothing effectual for the permanent reformation of the world.
You know, sexism in the punk scene - or just in rock and roll in general - is so easily demonstrated by the amount of women or queer people that you see on stage versus the amount of cis males that you see on stage.
I'm not sure Riot Grrrl would have been as big a deal if the Internet had existed back then. Because there's so much stuff on the Internet. People could have been like, oh, whatever, I'm going to go look at pictures of Barbie vaginas, you know what I mean? There's so many different things on the Internet, you read one article and then you read something linked off that article and you go down the rabbit hole.
I don't really think of these as projects. I think of them as bands. I have tried to not just convene a group of musicians and make one record or make one gig and just drop it. Each of them develop over time. I have been really fortunate to keep a band like the Sextet together over three very different albums. Each time, the goal got more deep for me in terms of how I wanted to write for those people. So it is really about trying to develop ideas and trying to have a consistent focus on a way to come up with new ideas in music that I want to do.
And you should hear the music. Incredible, amazing music, like nothing you've ever heard, music that almost takes your head off, you know? That makes you want to scream and jump up and down and break stuff and cry.
I got a call from a group saying they'd like to have a roundtable with the reserve next door, and would I help to set it up. I said, 'Sure, what's the name of the chief?' I asked, 'Do you know any members of the band council?' They didn't.
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