A Quote by Dominic Cummings
Political analysis is full of chess metaphors, reflecting an old tradition of seeing games as models of physical and social reality.
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I love chess, and I didn't invent Fischerandom chess to destroy chess. I invented Fischerandom chess to keep chess going. Because I consider the old chess is dying, it really is dead. A lot of people have come up with other rules of chess-type games, with 10x8 boards, new pieces, and all kinds of things. I'm really not interested in that. I want to keep the old chess flavor. I want to keep the old chess game. But just making a change so the starting positions are mixed, so it's not degenerated down to memorisation and prearrangement like it is today.
Until now, physical theories have been regarded as merely models with approximately describe the reality of nature. As the models improve, so the fit between theory and reality gets closer. Some physicists are now claiming that supergravity is the reality, that the model and the real world are in mathematically perfect accord.
I used to play a lot of chess and competitive chess and study chess and as you get to the grandmasters and learn their styles when you start copying their games like the way they express themselves through... The way Kasparov or Bobby Fischer expresses themselves through a game of chess is it's astonishing. You can show a chess master one of their games and they'll say "Yeah, that is done by that player."
Like Dvoretsky, I think that (all other things being equal), the analytical method of studying chess must give you a colossal advantage over the chess pragmatist, and that there can be no certainty in chess without analysis. I personally acquired these views from my sessions with Mikhail Botvinnik, and they laid the foundations of my chess-playing life.
Of course, I could never suggest that only poor people are misogynistic; too many rich folk are just as hateful of women as any poor person might be. I don't know if social problems are only circular; perhaps other geometric metaphors might better describe the triangular effects of social vulnerability, political oppression, and racial disadvantage. I think you're right - we've got to focus on both analyses and solutions. And sometimes, an adequate analysis goes far along in suggesting a suitable solution.
By all means examine the games of the great chess players, but don't swallow them whole. Their games are valuable not for their separate moves, but for their vision of chess, their way of thinking.
I belong rather to a more classical tradition of social analysis.
The concept of 'talent' is formed under completely abstract criteria, having nothing in common with reality. But the reality is such that I don't understand chess as a whole. But then again no one understands chess in its entirety. Perhaps talent is something else, in chess it is conditionality.
I claim that nothing else is so effective in encouraging the growth of chess strength as such independent analysis, both of the games of the great players and your own.
By strictly observing Botvinnik's rule regarding the thorough analysis of one's own games, with the years I have come to realize that this provides the foundation for the continuous development of chess mastery.
If you're playing a one-minute game, I could squeeze in five to six games before anybody walked by my cubicle. So I got really good at blitz, one-minute chess games. But that's kind of like the cheap chess version.
It is part of what makes America great. That tradition of the free press, and also the tradition of this highly competitive market for investigative journalism. We're seeing, there's no question, that we're seeing a renaissance of that.
I learnt not to trust people easily and also learnt that Indians are not really used to reality TV. They will forgive people playing games in monopoly or chess but not on reality show. Come on, lets grow up.
In political and social analysis, we still have not cut off the head of the king.
The captain was a good chess player, and the games were always interesting. Yossarian had stopped playing chess with him because the games were so interesting they were foolish.
In the last analysis, provincialism is your belief in yourself, in your neighborhood, in your reality. It is patriotism without belligerence. Convincing cases have been made to show that all great art is provincial in the sense of reflecting a place, a time, and a Zeitgeist.
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