A Quote by Domhnall Gleeson

Has anybody seen 'The Notebook' and not cried? I don't know, I don't know if that's the case. It sort of hangs around for a while. — © Domhnall Gleeson
Has anybody seen 'The Notebook' and not cried? I don't know, I don't know if that's the case. It sort of hangs around for a while.
Bernie Sanders even reminded me of the way I felt at parties over the years. You go to a party, you don't know anybody, you sort of wander around. You hold a drink in your hand, you don't know what to do. This poor guy Bernie, he was at a loss with this group of people he didn't know.
I cried when I watched 'The Notebook' for the first time. Any guy who tells you they didn't cry when they watched 'The Notebook's just lying.
I'm just telling you in my universe, people that I know who voted for Donald Trump and want the Trump agenda or most of it, I don't know anybody who is content for nothing to happen, status quo while the Republicans and Trump bicker. I don't know anybody who wants any more of this.
I don't know where the ideas come from, and it's terrifying. They seem to be absolute flukes. When I was in my 20s, I'd walk around with a notebook all the time and make sure I wrote down anything that occurred to me. Now I'm just hoping that some sort of event will descend on me.
The first movie I ever cried at was when I was 10 years old and saw 'The Notebook' in theaters. I was like, 'Whoa, so weird. Crying at a movie? I'm not supposed to do that. So weird.' I didn't know that art could make you do that.
'Pose' makes the case that it's important to have some sort of family structure, even if you have to create one. You know, if I go back home for a while, my mom will be like, 'Oh, I didn't really throw you out the house.' And I know so many other LGBT parents who don't really own or talk about the rejection, and it prevents healing.
I know that I've seen a mannerism, or a way I've cried, or something, where I see a flash of my parents.
I cried in English, I cried in french, I cried in all the languages, because tears are the same all around the world.
I've seen countless situations where I've been around him where he always does the right thing, 100 percent of the time. Tom Izzo would never do the wrong thing. And anybody that thinks other than that, they don't know Tom Izzo. I know him.
We've all been around love enough to know how lucky we are. I've never seen anybody have a cross word on the set, and I'm there a lot. All the women just got brand-new trailers, so they're happy.
We might have the worst bunch of guys together we've ever seen as a football team. I don't know what anybody else has, but I'd trade mine with anybody, sight unseen.
I've worked with a ginormous number of people over the years. What happens when you've been around for a while, when you run into people whose work you've seen and liked and they have seen and liked your work, there's a sense of you kind of know each other even though you don't.
You stop anybody on any street, around the world, and they know who Eric Clapton is. They don't know who I am!
Which, the first meeting with anybody is, you know, everybody is on their best behavior. It's only after you get to know them for a while that you figure out.
Most people would trade everything they know, everyone they know- they'd trade it all to know they've been seen, and acknowledged, that they might even be remembered. We all know we die. We all know the world is too big for us to be significant. So all we have is the hope of being seen, or heard, even for a moment.
There's a lot of expectation in the Middle East that post-Obama there will be a sort of tougher U.S. line on Assad, there will be more intervention and so forth. But I don't know if that's going to be fulfilled. If there is more intervention, then I think it's going to go the same way as these other interventions that we've seen in Iraq, we've seen, to a degree, in Syria, we've seen in Libya, you know, that they do really badly. They make bad situations worse.
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