A Quote by Don DeLillo

I've come to think of Europe as a hardcover book, America as the paperback version. — © Don DeLillo
I've come to think of Europe as a hardcover book, America as the paperback version.
The price of an e-book is a lot less than the price that we're charging for a hardcover book. It's about the same as we charge for a paperback. And that means a different revenue stream.
The paperback is very interesting but I find it will never replace the hardcover book - it makes a very poor doorstop.
This paperback is very interesting, but I find it will never replace a hardcover book - it makes a very poor doorstop.
This was an age before e-books. We all knew that the only way you can allow a book to survive in print in the long term is in paperback. The hardback has a certain life, and then it stops having that. It stops selling, and if you want the book to just stay around there has to be a paperback edition. So if there were not a paperback edition the book would eventually disappear from the shelves, and we would have lost the battle.
I'm floating between multiple media. I really wish you could buy the hardcover book and it would come with the digital download and audible version. I spend stupid amounts of money because I'm usually buying my books in at least two formats.
Hardcover and paperback forever. Someone carve that into a tree.
I've never been on a paperback tour before, you know, because usually you go on tour when a hardcover comes out.
When I had no money, and a great book came out, I couldn't get it. I had to wait. I love the idea that I have hardcover books here and at home that I haven't read yet. That's how I view that I'm rich. I have hardcover books I may never read.
Heidegger wrote a book called Was Ist Das Ding - What Is a Thing? which was kind of interesting and influential to me, as a matter of fact. It's a small paperback, which I read. It's about the nature of thingness; what is it? It's a very penetrating analysis of that, and I think a rather influential book. I know other artists who have read it and come up with it.
I think religious movies are more of a subset of the broader historical trend, and also the fact that there is more history in Europe, whereas in America, America is about the future. People in Europe think more of the past, and that's why I think filmmakers are drawn to it more.
Unless we are able to commit to a permanent growing settlement [on Mars], then I don't think just going there with humans and coming back is worth doing. The expense of planning to come back is like the people who left Europe to come to America and then to turn around and go back to Europe, it really doesn't make any sense at all.
I come from a part of New York that was almost entirely immigrants. I was born in America, but all of my friends' parents, everybody's parents, including my own, had come to America from Europe.
I feel like writing a book there's always a version in your head that's an amazing version, but then you write the version that you can write.
You could buy my book in a paperback edition for a dollar, and in hard covers for $3.50. And for fifty cents extra, I come around to your house personally and wet your finger while you're turning the pages.
I am quite sure that from America will come the greatest help for the cause of peace, and I consider it my duty to inform the people of Europe as to the feelings and intentions of the friends of peace in Europe.
America is the original version of modernity. We are the dubbed or subtitled version. America ducks the question of origins; it cultivates no origin or mythical authenticity; it has no past and no founding truth. Having known no primitive accumulation of time, it lives in a perpetual present.
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