A Quote by Don King
I don't see you making a movie about Bob Arum.
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I would never know how good I was if I didn't have Bob Arum. Bob Arum is white, Jewish; He was working for prosecutor's office. I'm black, an ex-convict, ex-number runner. Who would be most likely to succeed? It would be Bob 100-1. Yet I beat Bob on everything we ever done, with love.
It depends on my promoter Bob Arum.
Talk to Bob Arum, cos he's my man. Don King kiss my ass!
Bob Arum and Don King can do their thing but if I fought for those guys and they put the money up like they are supposed to then I don't have a problem.
Bob arum is Manny Pacquiao's boss, Floyd Mayweather is his own boss.
When I'm making a movie, I never watch the dailies. I see the movie once and that's it. It's really not about that for me. It's not about the externals. When I'm on a set, I don't want to see it. I want to be subjective in it. That's my habit now.
Who would you vote most likely to succeed? Bob Arum - White, Jewish, a graduate of Harvard, a Kennady Raider, United States Attorney. Don King - black, poor, out of the hard core getto of Cleveland, Ohio, numbers runner, a little confectionary dealer, ex-convict. Now who would you vote to succeed? It would be hands down........ Yet in this great land called America, I have out performed, outachieved, been more recognizable, did more, broke more records, and had more of a phenominal career, where Arum can't tie my shoe string. You understand?
If they made a movie about Bob Dylan, I would love to play a young Bob Dylan; I mean, I've got the wild hair.
Bobby Lee's actions and his dealings with Bob Arum have convinced me that I am not being treated fairly by Bobby Lee.
I've got a role in the new Billy Bob Thornton movie that Billy Bob wrote and is going to direct called 'Jayne Mansfield's Car.' I only have four scenes, but I have as much dialogue as anybody in the movie.
We put our life on the line to fight for them, put on a show and these guys take our money so whatever happens to Bob Arum, Don King or anyone else is fine with me.
In editing, you really face what the movie is. When you shoot it, you have this illusion that you're making the masterpieces that you're inspired by. But when you finally edit the movie, the movie is just a movie, so there is always a hint of disappointment, particularly when you see your first cut.
I think that making a movie is not just making the movie - it is also about having thoughtful ideas and embracing all the aspects of its launch.
You'll see a movie about someone you hate or someone you love. Will you see a movie about grandma making apple pies? No, you won't. Only if grandma has poisoned the neighbor or is suspected of poisoning the neighbor through her apple pies.
I am so delighted when I get to see a really good movie. In that experience the artifice of movie making, the photography or the cutting style, falls away because you are inside the movie.
I'm not making a movie about the real people. I'm making a movie about what they did, and what happened to them. But I will create characters so that I can have the freedom to make them say and do what I want. The real-life journalists were fine with that.
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