A Quote by Donald Glover

The thing about stand-up was, I was doing all this sketch and YouTube stuff where I was not being censored and I got to do my own thing, and it was really cool. — © Donald Glover
The thing about stand-up was, I was doing all this sketch and YouTube stuff where I was not being censored and I got to do my own thing, and it was really cool.
The whole thing with the Rick James story sketch and the Prince story sketch - I recounted my past, you know? - and that's what I was doing. It's not like I sat down and said I want to come up with a great story about Rick James. That stuff really happened.
Best thing about doing Youtube as a job - the Youtube friends that I've met all around the world, that I never would have got the chance to meet without Youtube.
The cool thing about being a writer is: you get to make stuff up. When I started wring about Vampires, I realized, I can take everything i did like about that mythology and anything I didn't like, I didn't have to; because until a real Vampire stands up and says, 'you've got it wrong,' it's anyone's game.
If I hadn't got into comedy, I wouldn't have met Abbey, my wife, and I wouldn't have my two girls, and the whole thing unravels. That's the thing about being basically - whisper it quietly - happy, is that you don't really want to change anything, because once you start changing stuff, then what you've got all disappears.
But long story short, I didn't start doing stand-up because I wanted to have a TV show or be an actor or even wanted to write sketch comedy. I got into stand-up because I love stand-up.
I'm a natural born show off. I love performing, and at school we had a really good music scene and an even better drama scene. When I got to university, I played in bands and did sketch stuff and it was always about coming up with material, which is why I never really practised and have no chops!! When I left uni, I carried on playing and trying out at stand-up.
I got to draw monsters, robots and write funny stories. I loved doing that stuff and working with the actors. But it got to be less and less that stuff and more about trying to be everywhere and not being able to do one thing very enjoyably.
I was doing YouTube before YouTube was a thing. I was making videos on my camcorder for my friends. I would do parodies of Britney Spears videos and stuff like that.
I'm just looking forward to doing these videos with AXE. Doing more directing, collaborating with them, finding ways to kind of like tap into temptation with their market and their audience and mine and find cool, creative ways to get the brand out to people. And I think they're doing a really, really good job. So we've got some cool stuff coming up.
I started doing my own animated movies when I was in ninth grade; that's when I got the filmmaking bug. When I was about 16, I started writing jokes for doing stand up, and then I was 19 and started doing stand up.
One thing about being a performer is you're not just doing an intellectual job behind a desk; you're out there performing and being looked at, being assessed for really superficial stuff.
I'll be doing stand-up for the rest of my life. The opportunities that it grants you can't be denied. Stand-up is both the hardest thing I do and the thing I enjoy most.
The thing I loved about my old punk band, it wasn't really about being vulnerable, it was about shouting and being fun and being aggressively political, which I thought was really cool and really fit that energy.
There's a thing about cocaine - when I was doing it secretly, it didn't make me very sociable. I forget how others were, but it made me very inner-directed. So being in a sketch and rehearsing and the "hail fellow well met" camaraderie and all that stuff, I couldn't fake that or force that. It was painful.
The exciting thing about today with the Internet, streaming, and YouTube, is you can just go do it. You can go make a short and put it up, and it, very well, may be seen. You can create your own Internet series and just put it out there. It wasn't like that when I was in my 20s. People weren't doing this sort of thing - now they can and they should try it.
I'm not the cool thing, and I'm not going to be the cool thing for a really long time, and it isn't like I'm not the cool thing and I sell 3,000,000 records every time. I'm not the cool thing, and I barely sell 150,000 records, if that, ever. So I'm obviously working really hard to sustain myself. I'm actually a target to be dropped, because that's just not enough records for a big company.
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