A Quote by Donald Judd
The older painting - well, it does have an effect all at once, I suppose, but it's of a lesser intensity than a lot of the American work in the last ten or fifteen years.
Related Quotes
Is there in painting an effect which arises from the being together of repose and energy in the artist's mind? - can both repose and energy be seen in a painting's line and color, plane and volume, surface and depth, detail and composition? - and is the true effect of a good painting on the spectator one that makes at once for repose and energy, calmness and intensity, serenity and stir?
My father is a well known artist, Ted Dyer, who has been painting for many years. Our work is very different, but growing up surrounded by paintings, paints, easels and art books does have an effect.
Why do you suppose that in the last 100 years technology has evolved a thousand times further than it has in the last 3,000 years? It's the level of souls that are incarnating. The older Atlantean souls are coming back. They have a natural affinity for communication, electronics, medicine, law and media.
In the U.S., some extraordinary movies have been made on politics and social issues. We learned lots of things from American cinema. But in the last ten or fifteen years, this has changed drastically. Today, that kind of movie is much easier to make in Europe.
I've had this reoccurring dream for the last ten to fifteen years.
I've had a lot of things rendered as not being effective or as some indication of my lack of sanity, only to be praised ten, fifteen, twenty years later for what I did once in this overt consciousness.
I have been playing a lot of keyboards, especially in the last five or six years. I suppose it gives you more scope than the guitar, although it does tend to make you write a different way.
Well, I've been painting for years. I just started doing a lot more in the last couple.
We have learned more about the brain in the last fifteen years than in all prior human history, and the mind, once considered out of reach, is finally assuming center stage.
Without any extraordinary effort of genius, I have discovered that nature was the same three thousand years ago as at present; that men were but men then as well as now; that modes and customs vary often, but that human nature is always the same. And I can no more suppose, that men were better, braver, or wiser, fifteen hundred or three thousand years ago, than I can suppose that the animals or vegetables were better than they are now.
It is probably well on the conservative side to estimate that during the past ten to fifteen years the camera has destroyed a thousand pairs of eyes, corrupted ten thousand, and seriously deceived a hundred thousand, for every one pair that it has opened, and taught.
We are shut up in schools and college recitation rooms for ten or fifteen years, and come out at last with a bellyful of words and do not know a thing.
Old age is fifteen years older than I am.
Now one does not think during creative work: any more than one thinks when driving a car. One has a background of years — learning — unlearning— success — failure — dreaming — thinking — experience — back it goes — farther back than one's ancestors: all this, — then the moment of creation, the focussing of all into the moment. So I can make — "without thought" — fifteen carefully-considered negatives one every fifteen minutes, — given material with as many possibilities.
I had the impression in art school that cartooning was thought of as a lesser art than painting because cartoons are reproduced, so the "work" is not the single thing like a painting, but instead is the reproduced image.
There were nineteen years between my grandparents, and I was in a relationship for five years from the age of fifteen to twenty with a man who was thirteen years older than me who remains one of the loves of my life, and he passed away when I was twenty years old.
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