A Quote by Donald Hall
I've always felt that poetry was particularly erotic, more than prose was... I say that you read poems not with your eyes and not with your ears, but with your mouth. You taste it.
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The heart lies and the head plays tricks on us, but the eyes see true. Look with your eyes. Hear with your ears. Taste with your mouth. Smell with your nose. Feel with your skin. Then comes the thinking, afterward, and in a way knowing the truth.
You start realizing that good prose is crunchy. There's texture in your mouth as you say it. You realize bad writing, bland writing, has no texture, no taste, no corners in your mouth. I'm a great believer in reading aloud.
Everything you say or allow into your eyes or ears becomes data that is stored in your heart. That data is later replayed during your prayer. If you want to know what is filling your heart, look at what you think about in your prayer. If you want to guard your heart, guard your eyes, ears, and tongue.
When your eyes are functioning well you don't see your eyes. If your eyes are imperfect you see spots in front of them. That means there are some lesions in the retina or wherever, and because your eyes aren't working properly, you feel them. In the same way, you don't hear your ears. If you have a ringing in your ears it means there's something wrong with your ears. Therefore, if you do feel yourself, there must be something wrong with you. Whatever you have, the sensation of I is like spots in front of your eyes - it means something's wrong with your functioning.
But Carroll's were more convoluted, and they struck me as funny in a new way: 1) Babies are illogical. 2) Nobody is despised who can manage a crocodile. 3) Illogical persons are despised. Therefore, babies cannot manage crocodiles. And: 1) No interesting poems are unpopular among people of real taste. 2) No modern poetry is free from affectation. 3) All of your poems are on the subject of soap bubbles. 4) No affected poetry is popular among people of taste. 5) Only a modern poem would be on the subject of soap bubbles. Therefore, all your poems are uninteresting.
Screw poetry, it’s you I want, your taste, rain on you, mouth on your skin.
I've already written 300 space poems. But I look upon my ultimate form as being a poetic prose. When you read it, it appears to be prose, but within the prose you have embedded the techniques of poetry.
Spend as much time as you can with your mouth shut and your eyes and ears open.
Shut your mouth; open your eyes and ears.
Mind not only what people say, but how they say it; and if you have any sagacity, you may discover more truth by your eyes than by your ears. People can say what they will, but they cannot look just as they will; and their looks frequently (reveal) what their words are calculated to conceal.
Open your ears before you open your mouth, it may surprise your eyes!
Take your eyes and your ears and your hands and your feet and your thoughts and your heart: Give them completely to Christ
The greatest sex toy ever invented may be the telephone. Sometimes there's nothing more erotic than a disembodied voice, no question more tantalizing than a whispered 'What are you wearing?' Especially when you can make up the answer. On the phone your hair always looks great, your legs are always shaved, your worst pair of underwear becomes a silk negligee.
As an actor, you have many tools - your body, your voice, your emotions, mentally. In film, you have your eyes because they communicate your thought process. In fact, generally in film, what you don't say is more important than what you say. That's not so much the case for stage.
I was glad my father was an eye-smiler. It meant he never gave me a fake smile, because it's impossible to make your eyes twinkle if you aren't feeling twinkly yourself. A mouth-smile is different. You can fake a mouth-smile any time you want, simply by moving your lips. I've also learned that a real mouth-smile always has an eye-smile to go with it, so watch out, I say, when someone smiles at you with his mouth but the eyes stay the same. It's sure to be bogus.
You can win more friends with your ears than with your mouth. People who feel like they're being listened to feel accepted and appreciated. They feel like they're being taken seriously and what they say really matters.
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