A Quote by Donald Pleasence
It's hard to play a continuing character like Loomis for nearly 11 years and simply wash your hands of him. It seems a pity.
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You wash your hands when you shake a bunch of hands. You have to wash your energy when you're around people. It's hard for me to say self-care is washing, although I think it is. So I made music for self-care. That's what it's for.
I appreciate everything that happened in Sacramento. It was character building for me, continuing to go out and play hard. I feel like I progressed as a player.
I wash my hair maybe once every four or five months. But whenever I touch my hair, I wash my hands. I think since I wash my hands a lot and then touch my hair, maybe I'm washing my hair each time. But also, I sweat a lot, and sweat is like a natural shower built into your body.
If God seems to be in no hurry to make the problem of evil go away, maybe we shouldn't be, either. Maybe our compulsion to wash God's hands for him is a service he doesn't appreciate. Maybe - all theodicies and nearly all theologians to the contrary - evil is where we meet God. Maybe he isn't bothered by showing up dirty for his dates with creation. Maybe - just maybe - if we ever solved the problem, we'd have talked ourselves out of a lover.
A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.
When you have to play a character that seems to be a relatively decent person and seems to be like yourself, I think the trick in that kind of character, so that you don't become a cliche, is to find where their weaknesses are.
If you have a character that seems to be all perfect, it's hard to relate to him because when you read a story you really want to empathize with the character that you are reading about. And it's hard to empathize with someone who is flawless and who has no problems.
In a man devoted to knowledge, pity seems almost ridiculous, like delicate hands on a cyclops.
Playing a TV character for seven years is almost like when you do a play. You live, breathe, and everything else with that character 24-7 for six months or four months or whatever, and that gets very deep in your blood. When you do a TV character for seven years, that's a long time. It becomes a seminal era in your life.
I never like to judge the character. I just have to leave my feelings of pity, or fear, about a character - whatever I feel towards the character, I try to leave to one side. It's good to have them, but it doesn't help me. I can't act those things. I just to play the character as truthfully as I can.
What I ask for the Negro is not benevolence, not pity, not sympathy, but simply justice. ... All I ask is, give him a chance to stand on his own legs! Let him alone! ... Your interference is doing him positive injury.
It seems like time slips out of your hands. You wake up, and 2-3 years have passed.
I feel like I've got a novel in me somewhere, but that's something... I was just talking to a buddy of mine about it, who's a writer as well, and he's nearly done with his first novel, and it's taken him 11, 12 years to do it. And I can totally understand; it's a long process.
The best advice when playing from the small blind is to mix up your play. The general rules are to fold garbage hands, limp with marginal hands, and raise with hands that are strong enough to play big pots with. Don't allow your opponents, however, to pick up patterns in your play.
Brian is an archetypal character, a bit like Don Juan, which is how I play him. He's a blast to play. He believes unapologetically in his freedom. He holds nothing back. Something I'm learning is, you can't hate the character you play. If I think my character is an asshole, that's all that will come across. He is drawn in an extreme way, but that doesn't mean he's not a person.
It's still hard for me to think about Sept. 11 sometimes. I'm still angry. It's hard to watch my daughters, Celia and Zaya, grow up and know they'll never see their father. They'll always be 9/11 girls, and I wish I could shield them from that. Everyone has an immediate pity for them. It is a sad thing, but the girls are also so happy.
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