A Quote by Donald Trump, Jr.

We've gotten to a point where you can't be a politician and actually say what you're thinking because someone's gonna get offended, and God forbid, like, everyone's so sensitive now, it's ridiculous.
So I swear to God, I took one year where I just said, This year, I'm just going to cop to it and say to people, 'Okay, where did we meet?' But it just got worse. People were more offended. Every now and then, someone will give me context, and I'll say, 'Thank you for helping me.' But I piss more people off. You get this thing, like, 'You're being egotistical. You're being conceited.' But it's a mystery to me, man. I can't grasp a face and yet I come from such a design/aesthetic point of view. I am going to get it tested.
Sometimes you're just interviewing someone and you're thinking the entire time, How can I get through this really quickly? Because I know this isn't gonna make it. This person is either too long-winded or deathly boring, or they don't have the point of view that supports what you're trying to do in the piece. Or often people misrepresent themselves on the phone - what they're willing to say to you then, they're not willing to say in person.
We've reached a point where people are actually afraid to talk about what they want to say, because somebody might be offended. We've got to get over this sensitivity and it keeps people from saying what they really believe.
It's kinda ridiculous what you can't say nowadays. You really can't say anything you believe! I think it's fricking ridiculous how sensitive everyone is to everything, how much things are frowned upon. How much stuff will cost you nowadays. I think it's fricking ridiculous that we can't - there's certain topics that you can't really say how you feel about.
I've gotten to work with amazing people. I would say usually we get to a point before we get into the studio where there isn't that sense of anxiety or nervousness of who they are because I don't think it would be as productive in the studio if that was the case. But maybe meeting someone like Neil Young for the first time made me anxious.
I think we've gotten to a point where we're becoming really sensitive to things like body dysmorphia, but I think it's gone too far, where people are accusing everyone of hating themselves.
So as long as I'm a human being and I'm not perfect, I'm able to say I'm having some growing pains. Because in order to sustain where you are once you made such a breakthrough that everyone is looking at you, now everyone is like, 'Ooh, is she gonna make a mistake?' Yes, I'm going to make a mistake. Yes, I'm still gonna do things.
Last House offended a lot of people. The results in the theaters, even in Boston, reminded me a bit of things from when I was studying theater of the absurd, and the rise and the appearance of Ionesco plays, and things like that. Thinking, "My God, people actually are getting into fistfights. People are having heart attacks. People are actually trying to get into the projection booth to destroy the print."
Women want a man who is sensitive, but god forbid you can't get it up after being frightened by a small woodland animal.
I used to hold back because people would get offended, but now I'm like, 'You're going to hear me, regardless. Whether you accept what I have to say or not is on you.'
It used to be embarrassing. In the beginning, because you listen to yourself so much, you think, I must look like an asshole right now - or sound like an asshole. And then, you just get to that point where you've done so many ridiculous, ridiculous things in the booth from screaming, to having orgasms, to whatever your director is asking you to do for this character, you just lose your inhibitions.
People are so offended by female body hair. SO offended! They actually say things like, 'Ugh, those hairs are so long.' But we have no issues with a man being head-to-toe hairy. It's so weird.
People are afraid to be themselves because people are afraid to be recorded. Everything is being recorded, and everyone is so sensitive. You say something; a section of people will be offended. It's so annoying; you got to be completely censored.
More people would recognise me in Kingston, but it's rare to go on the road and not get recognised by someone. The problem now is everyone has a camera in their pocket, on their cell phone - at the airport it's difficult to get from point A to point B without taking half an hour because there are so many people taking pictures.
I know what it takes to go from the point where someone's looking at a newspaper article, and thinking, 'Oh, this would make a great TV series,' to the point where you're actually on a set and there's a camera aimed at someone.
The good news is at this point as I get older, the load has gotten heavier but my shoulders have gotten wider because I've gotten happier so it's a damn good thing.
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