A Quote by Donna Brazile
If you don't know about the 'black male code,' you should. It's something black boys learn early, even before adolescence. It goes, in part, like this: Even though you're not a criminal, some people assume you are, especially if you're wearing certain clothes. Never argue with the police, but protect your dignity and take pride in humility.
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Take crack cocaine. Particularly in the early days of the policy, ninety percent of the people being arrested were black, even though they didn't use the drug at higher rates and even though their numbers in the general population are so low. How could that be? The thing is, you place all your resources in communities of color. And if you do that, you're going to arrest black people.
My mom is Jamaican and Chinese, and my dad is Polish and African American, so I'm pretty mixed. My nickname in high school was United Nations. I was fine with it, even though I identify as a black woman. People don't realize it hurts my feelings when someone looks at my hair or my eyes, and says, "But you're not actually black. You're black, but you're not black black, because your eyes are green." I'm like, "What? No, no, I'm definitely black." Even some of my closest friends have said that. It's been a bit touchy for me.
Wearing baggy clothes makes me look shorter. I just don't know anything about fashion. I know what I like wearing. I'm always accused that I wear too much black. I love wearing black.
Music is an expression of who you are, and - at least in that sense - I think I epitomize Black Lives Matter. I'm a big black man, and I'm easily misunderstood. Before I started wearing these African clothes, people would assume that I was a threat and that it was O.K. to be violent toward me.
People don't realize it hurts my feelings when someone looks at my hair or my eyes, and says, 'But you're not actually black. You're black, but you're not black black, because your eyes are green.' I'm like, 'What? No, no, I'm definitely black.' Even some of my closest friends have said that. It's been a bit touchy for me.
I was wearing black clothes almost from the beginning. I feel comfortable in black. I felt like black looked good onstage, that it was attractive, so I started wearing it all the time.
Usually we look at it like, "Oh, black people couldn't vote in Mississippi because they had to take a literacy test." But one of the things you learn in the film is that there were major consequences for even trying to vote. You could be killed for trying to vote. You could definitely be fired from your job and many were, which is why so few black Mississippians even attempted to register early on. They put your name in the newspaper if you tried to register to vote.
It's like one of the best things that can ever happen to you as an actor: to have your story reach people, even if they don't look like you and even though they may not be able to identify with a black male; they can still identify with what's happening to you.
I respect the police officers, but something you learn as a young black man in this country is that... life is a little bit different for you even though, on the surface, it seems to be the same.
When I was a teenager, black pride became newly popular again. Suddenly a lot of black people were wearing the fake kente cloth and red black and green and Bob Marley. That was sort of my window into finding my own identity as a black person.
A lot of racism going on in the world right now. Who's more racist? Black people or white people? Black people. You know why? 'Cuz we hate black people too! Everything white people don't like about black people, black people really don't like about black people.
One of the facets of growing up the way I did, I never had the experience of being solely in the black community. Even my family, my mother is what they call Creole, so she's part French, part black, and grew up in Louisiana. It's a very specific kind of blackness that is different than what is traditionally thought of as the black community and black culture. So, I never felt a part of whatever that was.
I never thought about being the first black actor to win, even though everybody else talked about that. If I stop to think as a black actor, people will see me differently. If I play as a black actor, people will only see that. I think my key was to perform as an actor, not as a black actor. And after winning the Cesar, I was an actor with a Cesar. there are many more adjectives to describe who I am. I'm not only black.
You have to know the forces that are against you and that are trying to break you down. We talk about the problems facing the black community: the decimation of the black family; the mass incarceration of the black man; we're talking about the brutality against black people from the police. The educational system.
My 'Black Panther' run really wasn't about Black Panther. It was about Ross. It was about exploding myths about black superheroes, black characters, and black people, targeted specifically at a white, male-dominated retailer base.
There was a manifesto in the late '60s/early '70s, and it basically laid out what 'black art' was and that it should embrace black history and black culture. There were all these rules - I was shocked, when I found it in a book, that it even existed, that it would demarcate these artists.
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