A Quote by Donnie Wahlberg

I'm not a big fan of table reads or sitting around a table and reading a script. I'd rather do it on set and do it for real. — © Donnie Wahlberg
I'm not a big fan of table reads or sitting around a table and reading a script. I'd rather do it on set and do it for real.
I remember the first reading of the script we had and everybody was sitting around the table. I was very impressed with the level of acting that was in the room, particularly with Jennifer who has so much responsibility.
There were rumors I wasn't going to die. The whole cast was sitting around the table reading the script. I fell on the floor - I'm not kidding. I looked up at Katherine Heigl, and she was crying.
When the script is finished, and you're sitting around at a table read, and all the actors are reading the words that you've written, and you're hearing it out loud for the first time, that is always, every single time, no matter what, a magical process.
I have this table in my new house. They put this table in without asking. It was some weird nouveau riche marble table, and I hated it. But it was literally so heavy that it took a crane to move it. We would try to set up different things around it, but it never really worked. I realized that table was my ego. No matter what you put around it, under it, no matter who photographed it, the douchebaggery would always come through.
This is what a family is all about - one another, sitting around the table at night. And it's very, very important, I think, for the kid to spend time not only around the table eating with their parents, but in the kitchen.
We separated like oil and water. In the cafeteria, you'd see a table of black jocks, table of white jocks, table of rich white kids, table of Hispanic kids, table of Chinese kids, table of druggies, table of chatterboxes, and so on. Wait! There's a diverse table over there! With a few kids of different tenacities and economic status! Oh, that's the nerds. That's where I sat. We weren't cool enough for the other tables, so we didn't discriminate against anybody.
There was so much going on. I remember a very interesting dinner in the studio of [Robert] Rauschenberg. He had convinced Sidney Janis, Leo Castelli, and a third big gallery man to serve us, the artists, at the table. So they were dressed up as waiters, we were sitting at the table, and they were only allowed to sit down at the end of the table for the cognac. This is not possible now.
My kids learned to color on this table. There's been a lot that's went around this table. Waylon Jennings sat right there in that chair and showed Miley the chords to 'Good Hearted Woman.' Sitting in that chair. This table's a bit like life. It's a circle. And I believe everything in life is a circle. You come into this world a little teeny wrinkled-up fetus
Food is about communal togetherness. Our family does sit at the table. I think it's a great tragedy if a family doesn't have a table, as there is such an atmosphere of good will and warmth when we have eight people sitting around it.
The standard way to record a meeting is to list people's names, the topics, and action items. The visual way is to doodle a rectangle (the table) populated by figures (the participants) sitting around the table with their comments as cartoon word balloons.
This is how the world changes - little by little, table by table, meal by meal, hour by hour. This is how we chip away at isolation, loneliness, fear. This is how we connect, in big and small ways - we do it around the table.
I don't normally get very star struck. However, I was just at a table read for a movie. It was an animated movie where they have all the actors come in and sit around a big table and read the whole script out loud so you can see what's working, what's not working. And this is an animated movie that Paul McCartney is doing and he's producing it. So I got to meet Paul McCartney.
I was very happy sitting alone at a dining room table, writing a script.
You know, I had a new kind of thought on Black Lives Matter and the All Lives Matter thing. And the best way to explain it is if we're all sitting around at a table having dinner, and everybody gets pie except for you and you say, my pie matters, I don't have pie, and everybody at the table looks at you and says, I know, all pie matters, it shows that the people at the table aren't really listening.
I think a fan is a fan and when they support you and when they love you and when they embrace you and what you bring to the table, as long as you bring something that's quality to the table they're going to show up and support it.
I'll look through a script, and if there's a lot of night shooting I tend not to want to do it. If there's huge party scenes and I'll go through a few pages and say "Well, at least I'm not in this," then the last page my character walks in and says something, I say, "Uh oh, that's going to be three days on the set sitting around drinking coffee at the craft-service table." Unless it's a great part. All in all if it's a great part you'll do it and I'll say, "Well, I'm gonna be on the set for three days."
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