A Quote by Donovan Mitchell

I think that's the biggest thing - staying humble, because the story you hear a lot of times is that guys who have success let it get to their head. — © Donovan Mitchell
I think that's the biggest thing - staying humble, because the story you hear a lot of times is that guys who have success let it get to their head.
I’ve been the same guy since day one. No matter how successful I am in life, I’m going to stay true to myself and stay humble and grounded. I feel like that’s where your success comes from. Once you get that big head, it’s over. You feel like you can’t be stopped. Staying humble is the only way you can be great.
A lot of times in this business, we are taking advantage of hot times in our career to do a lot of TV and a lot of radio and that sort of thing, and George is able to be so humble that he can get away with not doing those things.
I haven't gotten overly confident or cocky. I think staying level and humble has helped me through the bad times and the good times.
The people around me haven't changed. The people who have been in my life since the beginning are still in my life now. I think that has a lot to do with my staying grounded and humble despite the success I've achieved.
I just like country because a lot of those guys are from towns that I'm maybe from, for one. But also, I like how humble they are, and they're genuine people, I think. I'm not saying that rappers or rock and roll, those people, aren't. But I just feel like I get along with those guys because they're from small town.
I feel like, if I'm being honest with myself, my biggest skill set is as a writer 'cause I can do that quickly and I'm really grounded in story structure. Part of my success as an actor, is that I know story well. Part of my success as a director, is how well I know story. Same thing, as a producer. It all begins and ends with me as a story creator. But, I love doing it all.
What I remember most are some of the guys in the background - who they were and what kind of times we had during those days on the set. I remember staying at Mikes house in Hollywood when we first started filming the series. It was the upper story of a two-story building on a little hillside. Mikes wife, Phyllis, was wonderful. Mike and I laughed a lot and played music together. I remember that time very fondly.
The point is to win the biggest tournaments and beat the biggest guys head to head. Then, if the computer ranking works out that you are No 1 in the world so be it.
I think the biggest learned behavior that I would love to get rid of is that little voice that tells you, 'That's stupid. You shouldn't say that.' And then five seconds later, you hear somebody saying the same thing, and you think, 'Seriously, what is wrong with me?' I think, in particular, a lot of women do it. And that's a problem.
In a way, a certain amount of self-criticism is a good thing, because it keeps you humble. Realizing that no matter what success you've achieved, you can still make enemies makes you humble, too.
I think a lot of times what practice can do for you when guys are playing a lot of minutes, it sometimes takes away a little bit of their sharpness, because they have the puck a lot and all that.
Biggie was a lyrical genius: he was a musical painter with words. As he rapped, you would see the picture come to life as you heard his story. You hear a lot of rappers rap; you hear a lot of singers sing, but you don't see the movie in your head the way you do when you hear Biggie rap.
I prefer the word 'journeyman' to 'journalist' because I think that certainly, when you hear a story, you want to hear certain facts. But I also think what makes a story interesting is the points of view expressed therein.
A lot of guys talk like they want to do it, and they think it would be cool to be in a nice suit on the sidelines, but I'm not afraid in dealing with the success and failures that goes with being a head coach.
A lot of times with novels, you can get a really deep, engaging story, but there's not a lot happening, frankly. Those books tend to be super-literary and dense, and they require a lot of commitment, and that's not necessarily a bad thing, but if you want fast-moving action and gore and plot and excitement, you can get shorted on that.
The biggest problem I see with early-stage entrepreneurs is they get the idea in their head, and they leave it in their head. And they begin embellishing it in their head, making it more ornate. They add on the second story to their dream house - then add the tennis court and the turrets and the gargoyles.
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