A Quote by Drew Magary
I think I liked writing a novel better. Obviously, it's more rewarding. It's that marathon thing where it sucks when you're doing it, but you're proud of yourself at the end, and you've done it, and at the very least, nobody can take that away from you.
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The reality that we were growing up in was very young and vibrant, and nobody was capturing that part of India. I started to backpack after getting out of college. I hiked and did a lot of things nobody was capturing in art at all in India, so I wrote my first novel. It was a very, trippy, experience-filled novel, and it ended up doing very well in India because nobody was writing about that at that point.
I think what I've tried to do is make the world a better place. I think that's what's really important. Nobody remembers who sold the most togas in Rome. In terms of legacy, people remember the great villains more than they remember the great heroes. So I think how you feel about yourself is the most significant question. What do you say about yourself when you put your head on the pillow? Are you really proud of what you're doing and the way you're doing it? I think it's really a fundamental question.
It does no one any good to say their novel sucks if you don't have an idea how to make it better, how to approach it from different angles and make it work. It's obviously a subjective process, right? But the thing about subjectivity, at least in the classroom, is that you're banking on your professor's subjectivity to be both personal and professional - that he or she has some sense about the world outside the workshop.
D.H. Lawrence, I think, defined the difference between writing an article and writing a novel very well. He said, in writing a novel, the writer must be able to identify emotionally and intellectually with two or three or four contradicting perspectives and give each of them very a convincing voice. It's like playing tennis with yourself and you have to be on both sides of the yard. You have to be on both sides, or all sides if there are more than two sides.
I think I've had pretty good experiences for the most part with the people who have directed my screenplays. It's more that I wanted to see what it would be like if I didn't have to collaborate with anybody, to have a sense of purity of the thing from beginning to end. I liked doing it. It's really different from writing. Directing is a more pragmatic experience, where you have to deal with the restrictions of time and money that force you to make certain decisions you don't have to make when you're writing.
As a director, obviously you should challenge yourself. It's important, because it's this thing that takes you away from your family for years. You have to really love the thing you're doing. It's very important.
You can't keep putting out the same record, it has to be better than the last thing you did. You have to find out what sucks, you have to stop doing what sucks... you've gotta find out what you're doing right, and you've gotta do more of that.
I really do believe that chance favours a prepared mind. Wallace Stegner, who was one of my teachers when I was at Stanford, preached that writing a novel is not something that can be done in a sprint. That it's a marathon. You have to pace yourself. He himself wrote two pages every day and gave himself a day off at Christmas. His argument was at the end of a year, no matter what, you'd got 700 pages and that there's got to be something worth keeping.
One thing I always think about is, at the end of the day, nobody really cares about you as much as they do about themselves. It's a very reassuring thing, in a good way. Pay attention to yourself, and use that energy and put it towards yourself.
You become a writer on a television show, and you see yourself doing bigger and better things, you don't wait till they tell you, "Here's the way to do bigger and better things," you start writing. You start writing that material that you might be doing off to the side. Nobody's going to be paying you for that, but it could turn into something big.
It's very important to take care of yourself. Everyone's lives are so busy. Take at least an hour a day to recharge and do whatever makes you better. For grown-ups, whether it's a spa, sitting in a park with a book, or coffee, take time for yourself.
I think directing and writing are very different jobs. Obviously, directing is a more social and managerial job. The other thing about directing is that it's a very, very pragmatic job, and writing isn't.
Sometimes I catch myself doing something that I've already done. The more I've done, the more that's likely to happen. Then I just throw it away. I wait until I've got the right way of getting a thing done, which means my songwriting proceeds at a very slow pace. But it's the only way I can really work.
I think it's very important to have a feedback loop, where you're constantly thinking about what you've done and how you could be doing it better. I think that's the single best piece of advice: constantly think about how you could be doing things better and questioning yourself.
There are movies that we have done that haven't come out very well. That doesn't feel very good. But 'Jem' is in a different category. I'm proud of the movie. I stand by the movie, but I'm obviously sorry it didn't do any better.
Writing is a very strenuous thing - it's like banging your head against a wall. At the end of the day, acting is better, just because nobody ever asked me if I wanted a Pellegrino in the writer's room.
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