A Quote by Drew Magary
I took time in the day to write as much of the book as I possibly could. I didn't write too much at night, because I don't like to - I'd rather watch TV.
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When I write a new draft, I don't like to feel I'm tied to any previous version. That's why I don't use a computer to write. The text looks, on the screen, too much like a book. It's not a book - it's a bad first draft of something that could one day be a book.
You have to surrender to your mediocrity, and just write. Because it's hard, really hard, to write even a crappy book. But it's better to write a book that kind of sucks rather than no book at all, as you wait around to magically become Faulkner. No one is going to write your book for you and you can't write anybody's book but your own.
As a digital creator, there's been so much pressure to write a book because so many of my peers have done it. I've been very adamant about saying, "No! I don't want to release a book just for the sake of writing a book. I'm going to write a book when I feel like I have something to say in a book."
I write because I have an innate need to. I write because I can't do normal work. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it.
I write all the time, I've got a big, thick, old ledger book that I write stuff down in. I used to watch TV and write things that people would say and now I tend to get it more out of books and from conversations with people I meet.
This whole idea of too much TV, I think is really gross. Because I feel like it's mostly white men who are saying it. And it's like, 'Yeah, man, there's too much TV for you, but by nature of there being so much TV, there are other voices being represented.' Isn't that a wonderful thing?
Writing takes a lot of patience. It usually takes me a year to write a book. One time, it took me 14 years to write a book, not that I worked on it every day.
If you try to control it too much, the book is dead. You have to let it fall apart quite early on and let it start doing its own thing. And that takes nerve, not to panic that the book you were going to write is not the book you will have at the end of the day.
Some people write heavily, some write lightly. I prefer the light approach because I believe there is a great deal of false reverence about. There is too much solemnity and intensity in dealing with sacred matters; too much speaking in holy tones.
For me, reading has to be pleasurable. Otherwise, I'm ditching the book and turning on Netflix. There's way too much good TV right now to write dull.
I just like to write. You can't play basketball 16 hours a day, so it's just working out, working on your body, take a nap, watch some TV, watch some games, and write.
I got so good at writing to a budget, my brain was restricting myself. I'd write, "It's a stormy night." Then I'd cross out stormy. I'd write: "It's a calm night." Then I'd cross out night. It's noon. Because you know how much night costs. You know how much rain costs. Nothing comes free in movies.
It's funny - for a long time, I didn't know I was writing a book. I was writing stories. For me, each story took so long and took so much out of me, that when I finished it, I was like, Oh my gosh, I feel like I've poured everything from myself into this, and then I'd get depressed for a week. And then once I was ready to write a new story, I would want to write about something that was completely different, so I would search for a totally different character with a different set of circumstances.
I either wrote at the end of the night or sometimes in the morning. Sometimes they were full entries, or others I just wrote notes about things that happened that day or funny thoughts I'd had. If I had a truly eventful day, I'd take the time to write it all down in great detail. I edited a lot of content out once it was all finished - there was way too much, and I didn't want to bore anyone. I like to keep the book [Superficial: More Adventures from the Andy Cohen Diaries] moving at a fast pace.
Think of a book special to you, and how much bleaker and poorer your life would be if that one writer had not existed - if that one writer had not, a hundred times or a thousand, made the choice to write. You're going to be that one writer one day for somebody you may never meet. Nobody can write that book you're going to write - that book that will light up and change up a life - but you.
I like to write and that's why I write. I don't think about how much the book will sell.
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