A Quote by Dwight Gayle

I was working for a lot of years before I turned professional, and that experience makes you understand a bit more about life. — © Dwight Gayle
I was working for a lot of years before I turned professional, and that experience makes you understand a bit more about life.
I don't know that it makes any difference whether it's at this time or a hundred years before or a hundred years later. I think always it's a matter of simply listen[ing] to what is going on around you and in your own experience. Try to understand what's happening, or if not to understand it, at least to appreciate the reality of it.
Before Enron, I think people were a bit more naive about the way things worked, and I think Enron pulled the curtain back on unsavoury practices that turned out to be a lot more widespread.
I feel like I can't fully understand what's happening now until I really understand what's happened before. But you do get sort of bogged down a little bit when you're trying to study so many years' worth of music. It can be a little bit overwhelming.
I think more to the point, these pivotal times means something other than a politician. I understand the economy. I understand the world. I have a lot of foreign policy experience. I understand bureaucracies. I understand technology, and I understand leadership.
I knew a lot about product design before coming to Apple, but I didn't understand a lot about consumer experience design, which is really Apple's forte.
It makes a huge difference in how you feel, the way your costume holds you. When you look at yourself in the mirror, it makes you feel a certain way. Actors like to talk a lot about working from the inside out, but there's a lot to be said also about working from the outside in. It can be extremely helpful.
I think a lot more people are able to take on a design challenge than ever before. And this was true 20 years ago when the desktop publishing revolution came about that allowed people with Macintosh's at home to produce professional-looking newsletters or publications for the first time. So, there's a long march toward more democratization for design.
We drank quite a lot and Tony Harrington said, "We're thinking of starting a record label at The Wire; how about you do a solo record?" I said, "Well, how am I going to do that?" I thought about it, and I'd been working on a lot of music in the years before, and I was working as a journalist, full time, really, up until that point; in whatever little spare time I had, I was working on music. So I said yes.
I loved the last album, and it was one hundred percent me. But this is like me two years later, who understands a little bit more about music and understands a little bit more about making an album. I wrote a lot more.
When I first started, I was really nervous. You could hear my voice quiver. So I started drinking a bit and that helped. A lot of entertainers have a few drinks before going onstage and don't overdo it. Me, it turned into a bigger habit. But I stopped that. I was getting older, and I was thinking about my kids. There's enough roadblocks out there without throwing in more yourself.
Then began an experience that turned my life around-working on a book with a black kid as hero. None of the manuscripts I'd been illustrating featured any black kids-except for token blacks in the background. My book would have him there simply because he should have been there all along. Years before I had cut from a magazine a strip of photos of a little black boy. I often put them on my studio walls before I'd begun to illustrate children's books. I just loved looking at him. This was the child who would be the hero of my book.
Before I came to Bollywood, lot of people told me that here things are not very professional, but I've had no such experience.
With a lot of films, people are sitting on the outside looking in, but I want the audience to get a bit more intimately involved with what's going on, so that they maybe can experience it a little bit more intensely.
I wish over the years I had kept my private life private and my professional life a little more professional.
I have a lot of real life experience that I can draw on. And I think that shows in the characters that I play because I'm always trying to find somebody - or find characters to play that I can identify with on a personal level or relate to. And I think it makes for a little bit more of an honest portrayal.
I used to have a little whisky before I went on stage. I realized that could have slowly turned into something a bit more serious. I get hyped up. I also think doing it a lot, you get used to it. You get more confidence. It's confidence building, really.
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