A Quote by Dwight Yoakam

Ironically, the success I've experienced at country radio has left me ostracized from pop and other formats of radio. — © Dwight Yoakam
Ironically, the success I've experienced at country radio has left me ostracized from pop and other formats of radio.
To be honest, the search for a label was really weird, because some of the labels that you wouldn't expect to care about stuff like radio formats were the ones that did care. They were like, 'Yeah, we love this record, but what are we going to play on the radio?' And I was like, 'You don't have bands on the radio.'
My father being a Caribbean minister, one day I stole the radio. The radio that I stole, I took it to school, showing off how big this boom box was and how bad I was at the time. Once my father figured out where I left the radio, he then got his belt and he walked me, he beat me all the way to where I had hid the radio, and with the boom box.
A few people have asked me about the women agenda on country radio. I can only speak for myself on this, and all I have to say is that I'm very grateful, and thankful, that country radio has been so automatically accepting, and supportive, of me and my music.
Country radio certainly widens the boundaries of what I can do. Other artists may do something more edgy that gets on radio and that opens the door for me to be more edgy, I think.
Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
I have a weird sense that people ten years younger than me don't own a radio, or maybe they own a radio, but they don't call it a radio.
When I was at Capitol - and this was not Capitol's fault - I was aiming, you know. I would listen to country radio and go, 'What version of me does radio want?'
Yeah, but you need an experienced radio veteran who is a liberal advocate. And there just hadn't been any radio that did that. And so they weren't trained - they had developed all these bad habits of being objective and balanced and stuff like that.
Living in L.A. keeps me in my car a lot, and I'm constantly flipping back and forth between the following Sirius/XM Radio stations: NFL Radio, MLB Radio, POTUS, MSNBC, CNN, and Fox News.
I think the stuff that plays on the radio, the majority of it is for teenagers, which is okay. That's what pop radio is about. And some of it is great, and some of it is not.
I listened to a battery radio, old country and pop stuff. Because I was singing all the time, my dad bought me a $7.50 guitar.
I had always dreamed of starting off in pop radio and crossing into country. I used to sing country; that was my genre when I was a kid.
Growing up, there was only classical music on BBC Radio. We had to listen to the American Forces Network in Germany, which played pop songs, or the pirate radio boats off the coast.
You know, a left-winger, the barrier to success if you're on the left in commercial radio is a mile and a half higher than it is if you're on the right.
Voiceover work reminds me of old-time radio. When I was little I used to sneak and stay up at night and listen to Mystery Radio Theater - I loved all those old radio plays.
I still listen to Radio 1. I never really matured or progressed to Radio 2 or even Radio 4, like most of my contemporaries.
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