A Quote by Doug Pederson
You know, it sounds a little, it sounds bad, but... I love being touted as being aggressive.
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I'm pretty much fully digital. I've basically spent a few painstaking days putting sounds into my laptop, just banking them, because I love playing, and I love visually seeing it on my screen and being able to change the sounds more, with different plug-ins. I've created my own synth sounds.
We are no longer the same after hearing certain sounds, and this is more the case when we hear organized sounds, sounds organized by another human being: music.
I love that tension between machine sounds and organic sounds, and also the contrast between abrasive sounds and soft sounds.
I try to listen attentively to musical sounds around me. You can think of the sounds of daily life as being musical. So I try to absorb the intricacies of the sounds as I would if I were listening to a piece of music. I try to see the beauty in everything.
Several times a day, stop and just listen. Open your hearing 360 degrees, as if your ears were giant radar dishes. Listen to the obvious sounds, and the subtle sounds?in your body, in the room, in the building, and outside. Listen as if you had just landed from a foreign planet and didn?t know what was making these sounds. See if you can hear all sounds as music being played just for you. Even in what is called silence there is sound. To hear such subtle sound, the mind must be very quiet.
I don't understand anything technical about music at all. I don't understand any of it, why you can't put these sounds together with those sounds. I only know what sounds good.
We listen too much to the telephone and we listen too little to nature. The wind is one of my sounds. A lonely sound, perhaps, but soothing. Everybody should have his personal sounds to listen for-sounds that will make him exhilarated and alive, or quiet and calm... As a matter of fact, one of the greatest sounds of them all-and to me it is a sound-is utter, complete silence.
More people need to understand the games secular liberals play. Here's one rule-of-thumb: No matter how bad a story sounds - particularly if it sounds bad - recognize the pattern of defamation.
I usually speak with all my drummers so that I write my songs with them in mind, and we'll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology, I can play all kinds of sounds - double bass and stuff.
I like the sounds of EDM; the guys create new sounds, beautiful sounds. The melodies, it's a little less. I like the kind of melodies I did with Donna Summer, or 'Flashdance,' where you have a verse, a chorus - a song setup.
All my close friends are non-conformist. To say 'misfits' sounds bad, but there is something positive about being a little on the outside - it gives you an interesting perspective on things - and I think that's something Robyn and I share.
Rhythms and sounds are often the first thing I hear and want in a poem, so I can't imagine trying to translate something without at least being able to hear what it sounds like.
People feel feminists are aggressive, men-hating women with a little moustache. I think it's got a bad reputation because when feminism came into being, we were facing so much opposition that we had to be strident and aggressive.
When I hear people who love my music and are trying to copy it, it sounds strange to me because it sounds so simple, made by other people. It took me a lot of years to find the balance, to find a way to be on the edge of being accessible but at the same time having the echo of a deep, more complex world.
Also in Norah Jones, now there's a voice that sounds and I don't mean disrespect but sounds a hundred years old that sounds incredibly experienced. It's just an exciting time.
A lot of Arabic composers such as Mohammed Abdel Wahab mixed sounds and instruments from all over the world. It's important to be able to propose new ways and new sounds without being stigmatised, censored or put aside.
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