A Quote by Douglas Adams

There was a point to this story, but it has temporarily escaped the chronicler's mind. — © Douglas Adams
There was a point to this story, but it has temporarily escaped the chronicler's mind.
So I do not consider myself a chronicler of my fatherland or even a chronicler of Havana
So I do not consider myself a chronicler of my fatherland or even a chronicler of Havana.
I prefer to surprise myself as I'm writing. I'm not interested in it if I already know where it's going. So I have only the most general sense of what I'm doing when I start a story. I sometimes have a destination in mind, but how the story is going to go from Point A to Point Z is something I make up as I go along.
If the point of life is the same as the point of a story, the point of life is character transformation. If I got any comfort as I set out on my first story, it was that in nearly every story, the protagonist is transformed. He's a jerk at the beginning and nice at the end, or a coward at the beginning and brave at the end. If the character doesn't change, the story hasn't happened yet. And if story is derived from real life, if story is just condensed version of life then life itself may be designed to change us so that we evolve from one kind of person to another.
I believe it, Chronicler found himself thinking. Before it was just a story, but now I can believe it. This is the face of a man who has killed an angel.
They've asked me to do this temporarily. I don't know what temporarily means. Life is temporary.
Ideas, like men, can become dictators. We Americans have so far escaped regimentation by our rulers, but have we escaped regimentation by our own ideas? I doubt if there exists today a more complete regimentation of the human mind than that accomplished by our self-imposed doctrine of ruthless utilitarianism.
Let me point out, if it has escaped your notice, that what an artist does, is fail.
...until that moment I had not understood that this was a story about lonely people, about absence and loss, and that that was why I had taken refuge in it until it became confused with my own life, like someone who has escaped into the pages of a novel because those whom he needs to love seem nothing more than ghosts inhabiting the mind of a stranger.
The second person to write a story about a young boy and an escaped slave on the Mississippi wasn't a novelist, he was a typist.
From fire, water, the passage of time, neglectful readers, and the hand of the censor, each of my books has escaped to tell me its story.
When I set out to write a screenplay, I have in my mind a beginning and an end but that end part continually changes as I start to write the middle. That way by the time the screenplay is finished I have taken myself and my audience from a familiar beginning point through the story to an unfamiliar ending point.
When I first started doing press, one of the things people started pushing was this idea that I'd somehow escaped something. And I was really offended, because I hadn't escaped anything.
My point of view, and more importantly, the president's point of view, is that the story is not about me or a debate with news outlets. The story is about the plans of the administration and what we're trying to project to the American people.
Directing made me realise what I do as an actor that's extraneous, it focuses your mind on story, story, story.
I have always loved story - I escaped within it as a child, I read every day, I love figuring out the complex layers of an author's work.
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