A Quote by Douglas Booth

I'm just trying to choose interesting, quirky projects or things with interesting directors or just movies that have a lot of people I like attached to them so I know I'm going to have a good time.
If I had interesting things to say, I would have been a speechwriter. I think it gets to musicians' heads a lot of the time. Just because people like your records doesn't mean what you have to say is going to be interesting.
I like what I do, and a lot of these projects have really interesting material and interesting people to work with. I feel lucky.
You're always going to have ups and downs - if you look at the careers of a whole bunch of people I respect, some of them have good movies, some of them have bad movies. I remember Andrew Garfield said that the only power we really have as actors - or one of the main powers we have as actors - is our choices. We can make interesting choices, but as soon as you've made that choice, so much else is in play: the director, the script can change, the other actors. All you can do is try to make interesting choices and, once you're in it, just do the best you can.
I think there's a lack of really, really good funny scripts out there that work on all the levels that they're supposed to - which is to say that they're not just funny but they have interesting characters that people are going to like and be invested in. I've done a bunch of movies that haven't worked but I like to think I've done some that have worked and that's because not only is the comedy there but the characters and storylines are interesting. The characters are real and relateable and people were invested in them.
I'm socially awkward. What draws me to playing socially awkward characters? I think they're interesting. I'm fascinated kind of by - I mean, I know I'm sure I've got my own social awkwardness but I'm kind of fascinated by that and I lived, probably, I attribute it - I lived in New York for a long time, road the subways, saw a lot of awkwardness, but they're just interesting. They're not cookie cutter. They're usually very colorful characters. They see things different ways and, I don't know, its just a kind of - just a kind of life that interesting to me.
I love to take chances. I love first-time directors. I love super-low-budget movies. I've done 80-something movies, and I want to just keep experimenting. First-time directors have new, fresh ideas, and lot of times they're risking a lot to do it, so it means so much to them. They're not just hired; they have their heart on the line, because if you've gone that far, you're probably a very passionate person.
I'm surprised by how much I remember [on childhood on film]. I think it's just because I had these interesting moments. Of course, you never know when they're interesting moments, but there was a lot of stuff that I remember and have attached significance to later. I remember enough. I remember highlights.
I never really learnt from anyone. I just spent a lot of time at home, knocking things out. It has been interesting going into proper studios, working with people who know everything. But I find it doesn't hinder me.
I'm trying to keep a good record and do interesting movies with interesting filmmakers.
There's always constantly interesting things to do, and who knows, maybe I will be a good sculptor. I haven't decided what I am going to do next, but I am not going to quit just because I did something interesting.
I knew there were all kinds of interesting things going on at Google, but now that I've seen them, my mind has been blown - in a great way. They have all these amazing projects and people that the world doesn't know anything about. I'm like a kid in a candy store - it's an idea factory.
I don't think a lot of people are like, "I'm just quirky!" Or if they are, it's a stage they're going through as they figure out who they are. I never felt like I was choosing roles that were quirky.
If you have that group of people who are both nice and also creative, then you have surprises like a room with monkeys in them. That has taken a very good scene and just made it a great scene. I want my movies to be visually interesting and to have a lot of energy and be colorful and full of life.
'Birdman' has kinda... changed things. I'm not saying you won't see traditionally made movies any more. But I've had meetings with directors, and they've said it makes them rethink everything. You can hate this movie, but you have to talk about it. It's going to go down as one of the most interesting movies ever made.
Even if chords are simple, they should rub. They should have dissonances in them. I've always used a lot of alternate bass lines, suspensions, widely spaced voicings. Dfferent textures to get very warm chords. Sometimes you're setting up strange chords by placing a chord in front of it that's going to set it off like a diamond in a gold band. It's not just finding interesting chords, it's how you sequence them, like stringing together pearls on a string. ... Interesting chords will compel interesting melodies. It's very hard to write a boring melody to an interesting chord sequence.
In my career, I thought I've never wanted to get anywhere in particular. I just wanted to work with interesting people on interesting projects.
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