A Quote by Douglas Booth
Travel is best when it's as unplanned as possible so that you get that real sense of adventure. The film 'Thelma and Louise' really encapsulates that - their travels are unplanned and spontaneous and therefore full of excitement, escapism and optimism.
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Humor is a spontaneous, wonderful bit of an outburst that just comes. It's unbridled, its unplanned, it's full of suprises.
A woman experiencing an unplanned pregnancy also deserves to experience unplanned joy.
Through the career, planned or unplanned - usually unplanned - we've taken different turns. And it's culminated in a worldwide following that's pretty substantial.
It's sad that women characters have lost so much ground in popular movies. Didn't 'Thelma and Louise' prove that women want to see women doing things on film? Thelma and Louise were in a classic car; they were being chased by cops; they shot up a truck - and women loved it.
It’s sad that women characters have lost so much ground in popular movies. Didn’t Thelma and Louise prove that women want to see women doing things on film? Thelma and Louise were in a classic car; they were being chased by cops; they shot up a truck - and women loved it.
With the amount of planned and unplanned travel I have, it is critical for me to treat my curls right on a daily basis.
I find the best birthday plans are the unplanned ones.
Because for that day, I really did become Lulu. Maybe not from the film or the real Louise Brooks, but my own idea of what Lulu represented. Freedom. Daring. Adventure. Saying yes.
The best revolutions are unplanned, and the most democratic are leaderless.
When I got the script for Thelma & Louise, when I met with the director, Ridley Scott, I said, "I don't want to do a revenge film. I'm not interested in doing that moment in the script after they shoot the truck, where it says they jump up and down and they're real happy about it".
I'm obsessed with 'Thelma and Louise,' and therefore obsessed with Callie Khouri who wrote that movie.
How my film career happened, I don't know. It was unplanned. I'd been in films and TV throughout the Sixties and early Seventies, but it was really 'The Naked Civil Servant' in 1975 that put me on the radar.
'Thelma & Louise' really hit a nerve, and I loved that movie.
'Thelma and Louise' was a pretty important film for me and still is. It's a social film about many things - gender, freedom - and it puts someone like me into the place of these protagonists. Watching that movie, you are living through the eyes of these women.
My work with AIDS patients started right at the beginning of the epidemic, totally unplanned and spontaneous, as all my work had proceeded in the previous two decades, if it were not already my whole life-style! In the early eighties, we knew very little about this peculiar disease.
Like most portrait photographers, I aim to record the instant the subject is not thinking about being photographed, striving to get beyond the practiced facial performance, reaching for something unplanned. While trying to be as objective as possible, I acknowledge that every gesture is still an act of artifice.
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