A Quote by Douglas Costa

I do like a joke too, in my own way, but I'm someone who likes to work away in peace. — © Douglas Costa
I do like a joke too, in my own way, but I'm someone who likes to work away in peace.
Pellegrini gave me back the joy of playing football. He is like Arsene Wenger: someone who likes to joke, someone who likes to talk and take an interest in your life.
The rush and pressure of modern life are a form, perhaps the most common form, of contemporary violence. To allow oneself to be carried away by a multitude of conflicting concerns, to surrender to too many demands, to commit oneself to too many projects, to want to help everyone in everything, is to succumb to violence. The frenzy of our activity neutralizes our work for peace. It destroys our own inner capacity for peace. It destroys the fruitfulness of our own work, because it kills the root of inner wisdom which makes work fruitful.
People try to put ownership on things: 'That's mine, that's my joke.' No such thing. Like if you tripped or stumbled and people go, 'Oh, that's Charlie Chaplin.' You know what I mean? You can't own a joke. You can be the guy that tells it the best, but you can't own a joke. Nowhere can you own a laugh.
As a designer and someone that likes getting my hands dirty, it's hard. It's a competition. I can't give too much away. One thing I could do was offer encouraging words.
If you say, 'I'm going to cut this song because I know the teenagers are going to love it,' well, then you're going to alienate everybody else. When I cut my record, I'm just going to cut the things that I like, and whoever likes it, likes it. That's too much work to try to figure out the demographic. That's too much like a business.
It really helped to have someone whose taste I really trusted who I knew was really smart and a really good writer. Sometimes I find it hard to judge my own work so it was good to have someone who could look at it. It was like, "Oh, she likes it, then it's good."
It is rare for a joke to emerge fully formed and it is worth grafting away until it is absolutely right. Though perversely too much work, too much thought, can destroy a gag completely.
It's easy to work with someone who shares your same work ethic, who likes to create like you do.
When you know someone has belief in you and likes the way you play, it is great to work together.
I've made a lot of progress. As a man, mentally, but also physically. And tactically, too. That's a given with a manager like Antonio Conte. He likes you to work, work, work. Every day.
Women often try too hard to say what they think a man wants to hear, to like what he likes, to laugh at every joke, and get so nervous talking about themselves that nothing interesting comes out.
Every hitter likes fastballs, just like everybody likes ice cream. But you don't like it when someone's stuffing it into you by the gallon. That's what it feels like when Nolan Ryan's thrown balls by you.
I'd rather work with someone who's good at their job but doesn't like me, than someone who likes me but is a ninny.
I'm an actor that likes to go to work. I like going to work every day. I'm a worker by nature. I'm not someone who does one film a year and feels satisfied by that.
In theatres, you're kind of disconnected. Also, it's way too big for the likes of me. Unless you're Robin Williams or someone that can fill a stage with movement and energy, it just looks like a small man on a big stage.
I like that we don't have to come out the first 10 minutes and score, you know, with joke, joke, joke. We can open it in a more novel way and keep playing different pranks as we go through the thing.
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