A Quote by Douglas Tompkins
The Canadian power line is going to industrialize Patagonia, and it is going to discount the one economic card the region has to play, which is the tourism.
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Maybe you'll take the cash out. So a credit card company or a bank that goes into the business of saying we're going to be the broker, we're going to sell you a mortgage that you're going to be able to pay off, we're going to help you reduce your credit card debt, we're going to help you save for retirement, we're going to put you into mutual funds that have low fees rather than high fees.
The Bachelor Canada' will be uniquely Canadian in and of itself because you're going to have a 100 percent Canadian cast, you're going to use Canada as a backdrop, you'll be going to all of those iconic places around Canada from coast-to-coast.
We've invested millions of dollars in tourism. Now they're trying to industrialize and pollute the ocean. It doesn't make any sense to me at all.
If you have credit card debt and credit card companies continue to close down the cards, what are you going to do? What are you going to do if they raise your interest rates to 32 percent? That's five times higher than what your kid is going to pay in interest on a student loan. Get rid of your credit card debt.
It's something I want to do going forward - make a movie that is commercial and universal and will play in any movie theater or living room in the States or the UK, but is definitively Canadian. I don't think there's such a thing as prohibitively Canadian.
When it's time to play, I'm going to come play. I'm going to play the right way. I'm going to try to help my team in all directions, blocking and catching. If I don't have the ball in my hand, I'm going to protect, block down the field. I'm going to do whatever it takes to win.
here are problems with the Turkish products inside Russia and the tourism going down. People are worried about that. But the really big economic weapons, oil and especially natural gas, those have not been brought into play yet - mostly in the form of threat so far. So basically the view from here is that, yeah, things are getting bad, but they could still get much, much worse.
If I'm going to play, I'm going to have to give it 100%, which means I'm going to have to play in all of the tournaments that I don't like.
At a time when Lahore Region was not ready to provide me opportunities to play for my region, it was Shakil Shaikh and Islamabad Region which provided me a break.
We have to put Canadian working families first. I'm going to do that, from trade to our own domestic economic response post-COVID.
My mom always told me I should have a Plan B. I said that if I'm not going to play guitar I'm going to play drums. And if I'm not going to play drums, I'm going to play bass. I always just wanted to play music. I was completely obsessed.
What you did do with your grocery card, discount card is much more invasive to your privacy than what the NSA does.
It may be unfathomable in architecture, but it is very practical, or routine, for a person in theater to use action. You have the line, "Come home, son," but you can't play that line by going out and being a mother; you can't be a noun. But you can play to smother your son; you can play to grovel to your son. Again, the real information is carried in action. And, to an annoying degree, theater people talk to each other in infinitive expressions. If you don't have a vivid verb to describe what you're doing, you're probably going to be a pretty bad actress.
You can graph human evolution, which is mostly a straight line, but we do get better and change over time, and you can graph technological evolution, which is a line that's going straight up. They are going to intersect each other at some point, and that's happening now.
Instead of thinking in terms of chords, I think of voice-leading; that is, melody line and bass line, and where the bass line goes. If you do that, you'll have the right chord. [These voices] will give you some alternatives, and you can play those different alternatives to hear which one suits your ear. Keep the bass line moving so you don't stay in one spot: if you have an interesting bass line and you roll it against the melody, the chords are going to come out right.
Number two, we're going to play with a lot of effort. Our guys are going to be in such good shape that fatigue is not going to be a problem. We're going to play with full effort from snap to whistle on every play the entire game.
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