A Quote by Tink

Guys hurt us first! There's always more to the story. We don't have that on the radio. You can't turn on the radio and hear what's really going on. You're going to hear the perspective from a guy.
We had huge success at first - really, really big. You could not turn on AM radio and not hear 'Every Time I Think of You.' And you couldn't turn on FM radio and not hear 'Head First.' And they were both on the same record.
It doesn't affect me because I look at the internet as the new radio. I look at the radio as gone. [...] Piracy is the new radio. That's how music gets around. [...] That's the radio. If you really want to hear it, let's make it available, let them hear it, let them hear the 95 percent of it.
Here's the tragedy of the modern record business: It's radio. If you're not on radio, nobody really is going to hear you or see you or care about you.
Why is it when you turn on the TV you see ads for telephone companies, and when you turn on the radio you hear ads for TV shows, and when you get put on hold on the phone you hear a radio station?
When I turn on my radio, when I hear that Negroes have been lynched in America, I say that we have been lied to: Hitler is not dead; when I turn on my radio, when I hear that Jews have been insulted, mistreated, persecuted, I say that we have been lied to: Hitler is not dead; when, finally, I turn on my radio and hear that in Africa forced labor has been inaugurated and legalized, I say that we have certainly been lied to: Hitler is not dead.
Just A Girl' was the first song that was on the radio for us. That was incredible because to hear that song on KROQ-FM in L.A., where we grew up, and you've listened to KROQ your whole life, and then to hear it on the radio was unbelievable.
It's quiet. No cars. No birds. Nothing.' 'No radio waves,' said the Doctor. 'Not even Radio Four.' 'You can hear radio waves?' 'Of course not. Nobody can hear radio waves,' he said unconvincingly.
There's not much radio in the UK, really. In America, you're in a car, factory, wherever, and you turn the dial on the radio, and can hear about a million stations. Hardly any in England.
In 1990 if you heard a song on the radio and you really wanted to hear it again you'd have to buy it on tape or CD. Hearing music doesn't hold that kind of value anymore because anyone can hear it. It's going to become even easier.
Music is made to be heard, whether you hear it in concert, you hear it on the radio, or you hear it in your car. It's not for two people to sit in a closet and go, 'That's my band, the only band I've ever heard, and I'm the only person that's going to hear it.'
When you turn on your radio, you don't always want to hear about someone shootin' some person. Even if that's the lifestyle they live, people don't always want to hear it.
When I was 10, I would hear songs like "I Love You Always Forever" by Donna Lewis on the radio, and I want to make stuff that a 10 year old might hear coming out of the radio and think, "Yeah! I love this!"
I remember when we were mixing our record and our manager was in there going, 'You guys need to sing more, so it can be on the radio.' And we were like 'What? We're never going to get played on the radio. Who cares? What are you talking about?'
There are so many times I turn on the radio, and I hear a guy, and I have no idea who it is because it sounds like four other people.
You don't really hear a female perspective on the radio, because so many of the songs are being written by men.
Radio was always a fun, geeky thing to be a fan of - the history of radio, where it is, and where it's going - but it was really also a pretty easy job.
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