A Quote by Dumitru Tepeneag

The reader's impression is one of a dream - the only thing that's left upon waking is the memory of a melody at the end of a concert. — © Dumitru Tepeneag
The reader's impression is one of a dream - the only thing that's left upon waking is the memory of a melody at the end of a concert.
I used to - my earliest memory of waking up with a melody in my head was, you know, 8, 9, 10. I've always heard kind of melodies in my head.
During our dreams we do not know we are dreaming. We may even dream of interpreting a dream. Only on waking do we know it was a dream. Only after the great awakening will we realize that this is the great dream.
Because waking I often observe the absurdity of dreams, but never dream of the absurdities of my waking thoughts, I am well satisfied that being awake, I know I dream not; though when I dream, I think myself awake.
Waking from any fever dream, one retains, above all, impressions seared into memory.
We are the ones who take this thing called music and line it up with this thing called time. We are the ticking, we are the pulsing, we are underneath every part of this moment. And by making the moment our own, we are rendering it timeless. There is no audience. There are no instruments. There are only bodies and thoughts and murmurs and looks. It's the concert rush to end all concert rushes, because this is what matters. When the heart races, this is what it's racing towards.
We only really remember things for five years. After that, what we remember, what's actually etched in our brain is our memory of the thing, not the thing itself. And five years after that, what's left is our memory of the memory.
Waking up from a dream of violence is much the same as waking up from a dream of love. You must go on living your life.
The texture and hardship of poverty and eviction is something that I think left the deepest impression on me, and I hope that I try to convey a little bit of that to the reader.
Dream life, I realized, was only confusing when you were awake. It was from the perspective of waking life that dream life seemed fractured and lacking consequence, lacking any certainty that one thing led to another. But from within dream life, the world was generally coherent. Not exactly an unconfusing world-just no more confusing than any other.
Dream analysis stands or falls with [the hypothesis of the unconscious]. Without it the dream appears to be merely a freak of nature, a meaningless conglomerate of memory-fragments left over from the happenings of the day.
I think that reading is always active. As a writer, you can only go so far; the reader meets you halfway, bringing his or her own experience to bear on everything you've written. What I mean is that it is not only the writer's memory that filters experience, but the reader's as well.
The end of a story must be stronger rather than weaker than the beginning, since it is the end which contains the denouement or culmination and which will leave the strongest impression upon the reader.
About dreams. It is usually taken for granted that you dream of something that has made a particularly strong impression on you during the day, but it seems to me it´s just the contrary. Often it´s something you paid no attention to at the time -- a vague thought that you didn´t bother to think out to the end, words spoken without feeling and which passed unnoticed -- these are the things that return at night, clothed in flesh and blood, and they become the subjects of dreams, as if to make up for having been ignored during waking hours.
In visions of the dark night I have dreamed of joy departed-- But a waking dream of life and light Hath left me broken-hearted.
It is precisely the sort of thing I am always trying to do in my writing -- to present my unhappy reader with a wide-ranged chaos -- of actions and reactions, thoughts, memories and feelings -- in the vain hope that at the end he will see that the whole thing represents only one moment, one feeling, one person. A raging, trumpeting jungle of associations, and then I announce at the end of it, with a gesture of despair, "This is I!
I have a recurring dream where I'm on the run for a horrible thing I did years and years ago. Like, in the dream... because the thing I did was so long ago that it's just a faint memory in my dream, so I'm sort of remembering it as I'm on the run from the police. And I'm totally guilty of it.
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