A Quote by Duane Michals
I write in order to express what the photo itself cannot say. A photograph of my father doesn't tell me what I thought of him, which for me is much more important than what the man looked like.
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If I walk on the street, if I go to a restaurant, people come to me and say: "Can we take a photo together? Can you give me your autograph?" They would bring their expensive Armani or Prada wallet to sign. Other people who are desperate show me a photo of their dead daughter and ask: Can you support me? I tell them: How can I? Morally, of course, I sympathize with you. But I cannot support you and you cannot support me. This is the condition of this society. We are separated.
I felt like I was a writer, and I just thought filmmaking was the best way for me to express that, because it allows me to embrace the visual world that I love. It's allows me to interact with people, to be more social than fiction or poetry, and it felt like the right way for me to tell the stories that felt pressing to me.
What is natural in me, is natural in many other men, I infer, and so I am not afraid to write that I never had loved Steerforth better than when the ties that bound me to him were broken. In the keen distress of the discovery of his unworthiness, I thought more of all that was brilliant in him, I softened more towards all that was good in him, I did more justice to the qualities that might have made him a man of a noble nature and a great name, than ever I had done in the height of my devotion to him.
I missed my father so much when he died that writing about his life and mine was a way of bringing him back to life and getting me to sort of understand more about him and what made him the father, the husband and the man that he was, and how that made me the man, husband and father that I am.
Guys never looked at me. I always had crushes on older seniors who never looked at me. So, when I tell directors that I wanna play that girl who gets rejected, they're like, 'Why?' I tell them it's because I relate to that girl much more than being the girl who makes jaws drop when she walks into a room.
From my vantage point, when I'm criticized in a way that I can hear what's being said - i.e., the issues - I'm more likely to listen and respond. A lot of the personal email I receive consists of name calling; I'll write back and say: Talk to me like I'm a person and you're a person and tell me where you disagree with me. I can't tell you how that turns people upside down. More often than not they write back with an apology and a reasoned argument.
The abbot told me once that lying was a betrayal to one's self. It's evidence of self-loathing. You see, when you are so ashamed of your actions, thoughts, or intentions, you lie to hide it rather than accept yourself for who you really are. The idea of how others see you becomes more important than the reality of you. It's like when a man would rather die than be thought of as a coward. His life is not as important to him as his reputation. In the end, who is the braver? The man who dies rather than be thought of as a coward or the man who lives willing to face who he really is?
The most important thing, my father told me, which I have never forgotten, and which I have often put unto practice was: If you get into a quarrel with anybody, hit him first. "If you hit first, the battle is half-won," my father always said "Don't let him hit first. You hit him first." "What's more," he never forgot to say, too "Usually one blow is all you need." I found this to be true.
And the fear of not being is born in that space. But in meditation, when this is understood, the mind can enter into a dimension of space where action is inaction. We do not know what love is, for in the space made by thought around itself as the me, love is the conflict of the me and the not-me. This conflict, this torture, is not love. Thought is the very denial of love, and it cannot enter into that space where the me is not. In that space is the benediction which man seeks and cannot find. He seeks it within the frontiers of thought, and thought destroys the ecstasy of this benediction.
I never wanted to become a CA. My father was keen that I become one because he thought that was the right thing for me to do. I didn't have the courage to tell him that I don't want to do it. But now, I can't thank him more for having put me through it.
The ordinary man is living a very abnormal life, because his values are upside down. Money is more important than meditation; logic is more important than love; mind is more important than heart; power over others is more important than power over one's own being. Mundane things are more important than finding some treasures which death cannot destroy.
I don’t know what to do,” Will said. “Mortmain has taken Tessa, and I believe now I know where she might be. There is a part of me that wants nothing more than to go after her. But I cannot leave Jem. I swore an oath. And what if he wakes in the night and finds I am not here?” He looked as lost as a child. “He will think I left him willingly, not caring that he was dying. He will not know. And yet if he could speak, would he not tell me to go after Tessa? Is that not what he would want?” Will dropped his face into his hands. “I cannot say, and it is tearing me in half.
The dying boy said: " Father, don't you weep for me; when I get to heaven I will go straight to Jesus and tell Him that ever since I can remember you have tried to lead me to Him." I would rather have my children say that of me after I am gone; or if they die before me, I would rather they should take that message to the Master than to have a monument over me reaching to the skies.
Came to acting pretty late. It looked wonderful, but I guess I was intimidated by my father. I look a bit like him, and he was so much bigger than life and so great, it took me a bit longer than most people to have enough confidence in myself.
If you are asking me what the individual can do right now, in a political sense, I'd have to say he can't do all that much. Speaking for myself, I am more concerned with the transformation of the individual, which to me is much more important than the so-called political revolution.
The one thing that is always clear in my mind is that the people, and their stories, and the themes of life that I photograph are always more important to me than the process of photography itself.
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