When I'm writing, I can always play around with tense. I can always make past present. I can always kind of manipulate, and I can always be delusional in a way that's completely self-serving. With film, it's like, the camera can't really lie. It can manipulate to a certain extent.
Semiotics is in principle the discipline studying everything which can be used in order to lie. If something cannot be used to tell a lie, conversely it cannot be used to tell the truth: it cannot in fact be used "to tell" at all.
I can tell you what images are in your head. I can tell what music you're thinking of. I can tell if you're listening to me or not. That's possible with an MRI now.
I shall suggest, on the contrary, that all communication relies, to a noticeable extent on evoking knowledge that we cannot tell, and that all our knowledge of mental processes, like feelings or conscious intellectual activities, is based on a knowledge which we cannot tell.
I don't digitally manipulate my images, because I am interested in the spontaneous act of creating images without forethought. I know many artists start with an idea in mind, and then they put it on paper. I don't work that way.
I can't lie - I have one of those faces where you can tell. It's expressive and lends itself to being cheeky. I always tell the truth even when I should probably tell a white lie.
Don't lie,Tell one lie,then you gotta tell another lie to compound on the first.
Don't tell me of deception; a lie is a lie, whether it be a lie to the eye or a lie to the ear.
[On Richard M. Nixon:] Americans began with a president who couldn't tell a lie and now they have one who can't tell the truth.
Now, today is the day we honor, of course, the Presidents, ranging from George Washington, who couldn't tell a lie, to George Bush, who couldn't tell the truth, to Bill Clinton, who couldn't tell the difference.
Now I have realized what the lie is. If I became a tsar, no one would ever dare to tell me a lie. I would have gotten the country under control.
You cannot tell an audience a lie. They know it before you do; before it's out of your mouth, they know it's a lie.
The true authenticity of photographs for me is that they usually manipulate and lie about what is in front of the camera, but never lie about the intentions behind the camera.
To tell a lie in cowardice, to tell a lie for gain, or to avoid deserved punishment--are all the blackest of black lies.
Before, the myth of photography doesn't lie was used in order to cover up tricks. If I [make a] portrait [of] you, accommodate you, illuminate you, put make up on you or use a filter, am I not manipulating reality? The only difference is that now I can do it from the computer in the postclick instead of the preclick. If I decide to photograph something instead of something else, I also manipulate reality. Of course a photograph can lie or commit abuse, but it always could.
Ads sell more than products. They sell values, they sell images. They sell concepts of love and sexuality, of success and perhaps most important, of normalcy. To a great extent, they tell us who we are and who we should be.