A Quote by David Bennun
The general sentiment among the Yeas is, no accolade is too high for their man; and the Nobel being, literally, the gold standard among prizes, it is surely his [Bob Dylan] due.
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The Yeas are relatively uniform. They view [Bob] Dylan as one of the greatest artists of his or any era, who deserves to be taken as seriously as any litterateur. Where they vary is in some cases not even accepting the distinction: Dylan in their eyes is a literary titan, and the award of the Nobel Prize for Literature is simply official affirmation of what they already knew.
I'm a huge Springsteen fan, and yet if either he or Bob Dylan had to be erased from the world's hard drive, I would save Bob Dylan's work for sure - he's the greater talent, and by leaps and bounds and skyscrapers and rocket blasts. But Bob Dylan is an alien to his public.
My favorite Bob Dylan record is the very first one where he sings one Bob Dylan song and the rest of them are his interpretations of the Dust Bowl-era folk songs, or even going back as far as the mass influx of people coming into the U.S. during the gold rush. His interpretations of those songs are incredible.
A panoramic vision of Bob Dylan, his music, his shifting place in American culture, from multiple angles. In fact, reading Sean Wilentz's Bob Dylan in America is as thrilling and surprising as listening to a great Dylan song.
[Bob] Dylan thus deserves the Nobel Prize, not just for "new poetic expressions within the great American song tradition," as the Nobel committee aptly described his work, but also for embodying the contradictions within it.
I won't comment on what Bob Dylan said, but I will comment on his receiving the Nobel Prize, which to me is like pinning a medal on Mount Everest for being the highest mountain.
The idea of freedom is quite in accord with a general, though vague, sentiment among us; it is an idea of fair play, of giving everyone a chance; and nothing arouses more general and active indignation among our people than the belief that some one or some class is not getting a fair chance.
We didn't have the phrase 'style icon' when I was young, but I have to say, I really copied Bob Dylan when I was younger: a little bit of Bob Dylan or a lot of Bob Dylan and the French symbolist poets - I liked how they dressed - and Catholic school boys.
Bob Dylan and Leonard Cohen. They're my biggest heroes. I love everything about Leonard Cohen: his lyrics and his voice. He seems like a really clever man, and Bob Dylan does as well. He's just really cool.
The high esteem in which the Nobel Prizes are held is undoubtedly due to the conscientious way in which the Committees have discharged a heavy responsibility.
It sounds lonely being Bob Dylan, because Bob Dylan likes being around other Bob Dylans, and there are not many other Bob Dylans around.
Perhaps his gloom was due to his profession, that he lived among fallen empires, and in reading these languages that had not been spoken by the common man in centuries, he had all about him the ruin of language, evidence of toppled suburbs, grass growing among the mosaics, and voices that had been choked with poison, iron, age, or ash.
[Bob] Dylan may, for whatever reasons of his own, do nothing of the sort with the Nobel committee. Up there on Parnassus, that is his unquestionable prerogative. But here on my anthill, it's mine to say: oh, do piss off, you ineffable snobs.
[Bob Dylan] is a worthy laureate for the Nobel Prize.
Among the friends of Union, there is great diversity of sentiment and of policy in regard to slavery and the African race among us.
[Bob Dylan] builds his lyrics, of course, from personal experience, but it's also a literary work. He draws heavily on his knowledge of American lyric tradition as well as European modernism. But he should let the Nobel Prize Committee know if he is accepting it or not.
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