A Quote by David Bowie

I guess a certain contingent of the musicians in London at the beginning of the '70s were fed up with denim and the hippies. And I think we kind of wanted to go somewhere else.
I love so many different denim silhouettes, but I do love a denim onesie. I think you can't go wrong with a '70s-inspired, full-on head-to-toe denim moment. I also love high-waisted denim anything.
I was very restless. I really wanted to be a part of a kind of a progressive society. I was fed up with these Communist doctrines and you were hassled all the time with members of the Party committee who were KGB, what you have to do, where in the West you can go or not to go.
I remember being 18 and being fed up with everything - fed up with society, fed up with the political system, fed up with myself - and then you kind of go, 'Actually, this voting thing is amazing,' because you have a chance to change it, right?
The only logical thing I can think of is that I knew there were such things as artists, and I knew there were none where I lived. So I knew that to be an artist you had to be somewhere else. And I very much wanted to be somewhere else.
In Holland, things were pretty stale for me. Even though there were a lot of good influences and a certain openness to music and art and literature, I just wanted to go somewhere less familiar - somewhere bigger.
I think I got into acting because I kind of had not much else to do! I guess I was kind of looking for something challenging. I heard about the London Theater scene and it was very different from the upbringing that I had and it felt like a challenge. And the whole sort of London Theater schools, I was told that 6,000 apply and there are like 30 accepted to each one. I was like, "Yeah. Let's see if we can do that!"
You have the establishment and then you have the hippies revolting against the establishment, and what you end up getting are like accountants with long hair. And that's kind of what happened with the youth movement in the '70s.
While I was growing up, I believed I could do anything I could think of. So the challenge was always to keep thinking - to get to where I wanted to be and then to think of somewhere else to go.
In London, the most, the biggest thing we have is culture, you know what I mean? That's what we've done for the past 50, 60 100 years, this is what we've done. My worry is that that will change but actually, that will never change because musicians will just go somewhere else.
I don't do a lot of dating. I guess it's kind of like everyone is always trying to set me up with somebody, so we go out and hang out at a club or somewhere. I think dates are weird.
I think many of the ideas that opened up in the '60s got implemented in the '70s and that certain minority voices that were not being heard in the '60s, like women and gay people, were being heard in the '70s. Black Civil Rights had also found its foothold, and those ideas were also very pertinent.
If I were beginning my career today, I don't think I would take the same direction. Television is at a crossroads at the moment. And although I am not up to date technologically, I suspect that somewhere out there people are conveying things about natural history by means other than television, and I think if I were beginning today, I'd be there.
I grew up in Northern California, so the hippies were still around. My father and mother were very Republican, very strait-laced and very uptight, but my uncles were hippies.
I think audiences were somewhere fed up with watching the same Saas-Bahu soaps all the time. I've been part of one of them.
I've always wanted to live in the '60s and '70s and wear wide pants, knee high boots, and oversized denim jackets.
Regarding jam sessions: Jazz musicians are the only workers I can think of who are willing to put in a full shift for pay and then go somewhere else and continue to work for free.
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